001475944 000__ 06746cam\\22006617i\4500 001475944 001__ 1475944 001475944 003__ OCoLC 001475944 005__ 20231003174625.0 001475944 006__ m\\\\\o\\d\\\\\\\\ 001475944 007__ cr\cn\nnnunnun 001475944 008__ 230812s2023\\\\sz\\\\\\o\\\\\001\0\eng\d 001475944 020__ $$a9783031333057$$qelectronic book 001475944 020__ $$a3031333055$$qelectronic book 001475944 0247_ $$a10.1007/978-3-031-33305-7$$2doi 001475944 035__ $$aSP(OCoLC)1393308071 001475944 040__ $$aEBLCP$$beng$$erda$$cEBLCP$$dGW5XE$$dYDX 001475944 049__ $$aISEA 001475944 050_4 $$aPN1995$$b.G55 2023 001475944 050_4 $$aN72.M6 001475944 08204 $$a491.4301$$223/eng/20230823 001475944 08204 $$a791.43/6$$223/eng/20230815 001475944 24500 $$aGilles Deleuze and film criticism :$$bphilosophy, theory, and the individual film /$$cDominic Lash, Hoi Lun Law, editors. 001475944 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2023] 001475944 300__ $$a1 online resource (226 p.). 001475944 336__ $$atext$$btxt$$2rdacontent 001475944 337__ $$acomputer$$bc$$2rdamedia 001475944 338__ $$aonline resource$$bcr$$2rdacarrier 001475944 4901_ $$aPalgrave film studies and philosophy 001475944 500__ $$aIncludes index. 001475944 5050_ $$aIntro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- 1 Introduction -- Preliminaries -- Deleuze, Film Criticism, and the Study of Individual Films -- Gilles Deleuze and Film Criticism in Context -- Outline of This Book -- Notes -- Bibliography -- Part I Perspectives on Method -- 2 What Does Deleuze Do When He Does Film Criticism? -- "having an idea in cinema" -- "a properly cinematographic idea" -- Ideas and Concepts -- "any-question-whatever" -- The Beautiful Idea of Ikiru -- Deleuze, the Film Critic? -- Notes -- Bibliography 001475944 5058_ $$a3 Deleuze and the Film in His Mind -- Notes -- Bibliography -- Part II Criticism, Philosophy, Theory -- 4 Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinema -- I -- II -- III -- Notes -- Bibliography -- 5 "Very Slight Differences": Deleuze and the Aesthetics of Cinematic Motion -- Deleuze's Devaluation of Cinematic Motion -- "Very Slight Differences" -- The Novelty of the Instant -- Conclusion -- Notes -- Bibliography -- 6 "Something Possible, Otherwise I Will Suffocate": A Marginal Reading of Chapter 7, Section 2 of Deleuze's The Time-Image -- Bibliography 001475944 5058_ $$aPart III Films and Filmmakers -- 7 Banish All the World: Deleuze on Chimes at Midnight -- The First Forger -- Cold-Blooded -- Warming the Blood -- The Counterfeit King -- Falstaff's World -- Notes -- Bibliography -- 8 Donen and Minnelli: An Exchange of Energies -- Break-Ins -- Surface Effects and Pluralities -- Territories and Hesitations -- Spatial Temporalities -- Infinite Multiplications -- Notes -- Bibliography -- 9 Deleuze and Fellini: And the Ship Sails on -- Notes -- Bibliography -- 10 Hypnosis-Images: Indiscernibility and Hypnotic Agency in Gilles Deleuze's Heart of Glass 001475944 5058_ $$aThe Place of Heart of Glass in Cinema 1 and Cinema 2 -- A Partial Account of Heart of Glass, Guided by Deleuze -- Notes -- Bibliography -- Index 001475944 506__ $$aAccess limited to authorized users. 001475944 520__ $$a"Gilles Deleuze and Film Criticism is a remarkable collection undertaking with spirit and intelligence to grapple with what Trevor Mowchun calls the 'spates' of criticism in the writings of one of the most challenging thinkers on film. Every one of the individual forays adeptly demonstrates the value of combining film analysis with attentive meta-critical commentary and conceptual elucidation of Deleuze's terms and tendencies. Aside from the inherent interest of the essays themselves, this volume's major contribution to film studies lies in its potential to re-energise debate on a vital issue for the discipline: namely, the relation between theory and criticism." --Alex Clayton, Associate Professor in Film and Television, University of Bristol, UK This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuzes work on cinema. In the last two decades, Deleuze's two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications. Dominic Lash is the author of The Cinema of Disorientation: Inviting Confusions (2020) and Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism (2022). He has taught film at many institutions, including the universities of Bristol and Oxford, and has published in journals such as Screen; Movie: A Journal of Film Criticism; Film and Philosophy; and Film-Philosophy. Hoi Lun Law is Teaching Fellow in Film Studies at the University of Edinburgh, UK. He is the author of Ambiguity and Film Criticism: Reasonable Doubt (2021). 001475944 588__ $$aDescription based on online resource; title from digital title page (viewed on August 23, 2023). 001475944 60010 $$aDeleuze, Gilles,$$d1925-1995$$1https://isni.org/isni/000000012277323X$$d1925-1995.$$tDialogues.$$lEnglish$$0(DLC)n 2006073718 001475944 650_0 $$aMotion pictures$$xPhilosophy. 001475944 650_0 $$aFilm criticism. 001475944 655_0 $$aElectronic books. 001475944 7001_ $$aLash, Dominic,$$eeditor. 001475944 7001_ $$aLaw, Hoi Lun,$$eeditor. 001475944 77608 $$iPrint version:$$aLash, Dominic$$tGilles Deleuze and Film Criticism$$dCham : Springer International Publishing AG,c2023$$z9783031333040 001475944 830_0 $$aPalgrave film studies and philosophy. 001475944 852__ $$bebk 001475944 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-33305-7$$zOnline Access$$91397441.1 001475944 909CO $$ooai:library.usi.edu:1475944$$pGLOBAL_SET 001475944 980__ $$aBIB 001475944 980__ $$aEBOOK 001475944 982__ $$aEbook 001475944 983__ $$aOnline 001475944 994__ $$a92$$bISE