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Table of Contents
Intro
Acknowledgments
Praise for Actor-Network Dramaturgies
Contents
About the Author
Chapter 1: Introduction: Theatre Actor-Networks Between Argentina and France
A Study in Human/Non-Human Relationships
Towards an Actor-Network Dramaturgical Vision
Structure of the Work
Bibliography
Chapter 2: Copi, Savary, the Grand Magic Circus, and Other Actors: The Actor-Network Dramaturgy of Good Bye Mister Freud
Of Star Shapes and Lines: For an Actor-Network Dramaturgy of Good Bye Mister Freud
Copi's Line
Raúl Damonte Taborda
Salvadora Medina Onrubia
The "Argentine of Paris" Assemblage
Jérôme Savary's Line
From Argentina to France
Fleeing the French Draft: New York and Buenos Aires
"It's at the Contrescarpe and Around That All Happens"
The Line of the Grand Magic Circus
Víctor García and Hilcia d'Aubeterre
Alain Crombecque, Fernando Arrabal, and the Panic Movement
From Arrabal's The Labyrinth to the Grand Magic Circus
Converging Lines: The Copi-Savary Collaborative Pair
The Good Bye Mister Freud Actor-Network
Devising Good Bye Mister Freud: "Two Authors, or Everyone-Author, or No Author?"
The Director and the Machine
Champagne and Money Problems
Conclusions: The Far Reaches of Actor-Network Theory for Theatre Performance
Bibliography
Chapter 3: A Tale of Two (and Other) Cities: The TSE Group from Buenos Aires to Paris
Before the Di Tella: From the French Institute to the Costanera Beach
The Capital of Heterotopia: The Di Tella Institute Supportive Actor-Network
Romero Brest and the Grupo Pop
Arias's Early Theatre Productions at the Di Tella: Towards the TSE Group
Drácula Pop
Aventuras 1 y 2: Camp Experiments with Text and Movement
Futura: A Postdramatic Scenic Essay
Drácula's Actor-Network, Leo Castelli, and Lawrence Alloway
Love & Song Kitsch and an Art Auction
The TSE Group Name
The Authoritarian City: Police Threats and a Banned Restroom
Roberto Platé's The Restroom: The Last Straw
TSE On Tour: The Unexpected Agency of a Pair of Socks and the Meeting with Copi
The Panorama City: Eva Perón
Copi's Myth-Busting Play
Assembling All the Pieces
Tepid, Puzzled, or Outright Hostile: The Initial Reception
Transatlantic Actor-Networks: Shock and Violence
Platé's Set from Intermediary to Mediator
"The Group Is Launched"
The Nocturnal City: Les Escaliers du Sacré-Cœur
Copi's Sulfurous Montmartre
Downstage the Vespasienne, Upstage the Basilica: The Production at Aubervilliers
Conclusions: Bridging Cities
Bibliography
Chapter 4: The Argentine Network in Paris: Lavelli, Copi, the TSE Group, and Other Stealthy Actors at the Top of French Decentralization
Becoming an Argentine of Paris: Jorge Lavelli's Line
The Organización Latino Americana de Teatro and the Fondo Nacional de las Artes
Acknowledgments
Praise for Actor-Network Dramaturgies
Contents
About the Author
Chapter 1: Introduction: Theatre Actor-Networks Between Argentina and France
A Study in Human/Non-Human Relationships
Towards an Actor-Network Dramaturgical Vision
Structure of the Work
Bibliography
Chapter 2: Copi, Savary, the Grand Magic Circus, and Other Actors: The Actor-Network Dramaturgy of Good Bye Mister Freud
Of Star Shapes and Lines: For an Actor-Network Dramaturgy of Good Bye Mister Freud
Copi's Line
Raúl Damonte Taborda
Salvadora Medina Onrubia
The "Argentine of Paris" Assemblage
Jérôme Savary's Line
From Argentina to France
Fleeing the French Draft: New York and Buenos Aires
"It's at the Contrescarpe and Around That All Happens"
The Line of the Grand Magic Circus
Víctor García and Hilcia d'Aubeterre
Alain Crombecque, Fernando Arrabal, and the Panic Movement
From Arrabal's The Labyrinth to the Grand Magic Circus
Converging Lines: The Copi-Savary Collaborative Pair
The Good Bye Mister Freud Actor-Network
Devising Good Bye Mister Freud: "Two Authors, or Everyone-Author, or No Author?"
The Director and the Machine
Champagne and Money Problems
Conclusions: The Far Reaches of Actor-Network Theory for Theatre Performance
Bibliography
Chapter 3: A Tale of Two (and Other) Cities: The TSE Group from Buenos Aires to Paris
Before the Di Tella: From the French Institute to the Costanera Beach
The Capital of Heterotopia: The Di Tella Institute Supportive Actor-Network
Romero Brest and the Grupo Pop
Arias's Early Theatre Productions at the Di Tella: Towards the TSE Group
Drácula Pop
Aventuras 1 y 2: Camp Experiments with Text and Movement
Futura: A Postdramatic Scenic Essay
Drácula's Actor-Network, Leo Castelli, and Lawrence Alloway
Love & Song Kitsch and an Art Auction
The TSE Group Name
The Authoritarian City: Police Threats and a Banned Restroom
Roberto Platé's The Restroom: The Last Straw
TSE On Tour: The Unexpected Agency of a Pair of Socks and the Meeting with Copi
The Panorama City: Eva Perón
Copi's Myth-Busting Play
Assembling All the Pieces
Tepid, Puzzled, or Outright Hostile: The Initial Reception
Transatlantic Actor-Networks: Shock and Violence
Platé's Set from Intermediary to Mediator
"The Group Is Launched"
The Nocturnal City: Les Escaliers du Sacré-Cœur
Copi's Sulfurous Montmartre
Downstage the Vespasienne, Upstage the Basilica: The Production at Aubervilliers
Conclusions: Bridging Cities
Bibliography
Chapter 4: The Argentine Network in Paris: Lavelli, Copi, the TSE Group, and Other Stealthy Actors at the Top of French Decentralization
Becoming an Argentine of Paris: Jorge Lavelli's Line
The Organización Latino Americana de Teatro and the Fondo Nacional de las Artes