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001476126 001__ 1476126
001476126 003__ OCoLC
001476126 005__ 20231003174633.0
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001476126 019__ $$a1393913118$$a1394120687
001476126 020__ $$a9789811992131$$q(electronic bk.)
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001476126 0247_ $$a10.1007/978-981-19-9213-1$$2doi
001476126 035__ $$aSP(OCoLC)1394915671
001476126 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dOCLCQ$$dN$T
001476126 049__ $$aISEA
001476126 050_4 $$aPN1576
001476126 08204 $$a790.2072$$223/eng/20230822
001476126 24500 $$aPerformance arts :$$bresearch in the age of digital revolution /$$cKwok-kan Tam, editor.
001476126 264_1 $$aSingapore :$$bSpringer,$$c2023.
001476126 300__ $$a1 online resource (237 pages) :$$billustrations (black and white, and color).
001476126 336__ $$atext$$btxt$$2rdacontent
001476126 337__ $$acomputer$$bc$$2rdamedia
001476126 338__ $$aonline resource$$bcr$$2rdacarrier
001476126 4901_ $$aDigital culture and humanities ;$$vvolume 4
001476126 5050_ $$aIntroduction. Performance Arts: Research in the Age of Digital Revolution -- Part One. Virtual Reconstruction of Lost Theatres -- Chapter 1. Virtual Praxis and Theatre Research: Textual Recovery -- Chapter 2. Virtual Praxis: Conducting Performance Research in Virtual Theatres -- Chapter 3. Stardust Orientalism, Virtual Praxis and Digital Construction: Madame Butterfly on Ice at the Stardust Hotel, Las Vegas, 1959 -- Part Two. Spatial-History Digital Database for Humanistic Research -- Chapter 4. Coded, Transcoded, Encoded, Mapped: Reading Film Adaptations of Ibsens Plays in the Digital Age -- Chapter 5. Digital Ibsen: Tracing Houses and Homes in an Ibsen Play -- Chapter 6. A Performance History of Ibsen in America: Outlines, Conjunctures and Regional Diffusion -- Part Three. Digital Culture in Performance Production -- Chapter 7. Digitization and New Modes of Ibsen Studies -- Chapter 8. Artifact as Digihistory: Re-viewing Islamist Militancy -- Chapter 9. Digital Operatic Precedents in Haruki Murakamis Killing Commendatore -- Part Four. Arts Tech and Experimentations in Stage Performance? -- Chapter 10. The Carp Fairy in the Digitalised Traditional Chinese Theatre -- Chapter 11. Rethinking the Use of Multimedia Technology in the Theatre -- Chapter 12. Staying Alive: The Plague and Performance in a Digital Age.
001476126 506__ $$aAccess limited to authorized users.
001476126 520__ $$aThis volume reshapes a contemporary understanding of research in theatre and performance arts. Bringing together distinguished scholars from all over the world, the book serves as an arena for international scholars to introduce innovative research methodologies and disseminate their research findings regarding VLT, data archiving, and digital history and discusses the impacts of digital culture in art production, stage performance, film, and literature. The Ibsen focus in the book is illustrative of the power of digital database research that is generating new relations in spatial-historical dimensions that have otherwise gone unnoticed. It demonstrates how a new methodology can bring practical benefits to handling big data with the support of digital technologies. In line with the post-pandemic landscape, this book engages a reflection on how the digital revolution has brought about changes and challenges, and constraints and breakthroughs within the field of theatre and performance arts. It is of appeal to theatre artists and practitioners, scholars, critics, librarians, digital archive engineers, and postgraduate students interested in theatre, performance studies, digital media, information technology, library science, communication, education, sociology, as well as political science. The book investigates the latest methodological development in digital cultures and performance arts, which significantly contributes to the ever-changing and increasingly advanced technological culture in this field. - Jessica Tsui-yan Li, York University, Canada "In line with the post-pandemic landscape, this book engages the reader in reflecting on how the digital revolution has brought about chances and challenges, constraints and breakthroughs to the field of theatre and performance arts. An original, eye-opening and inspiring volume at multiple levels, this book brings together distinguished scholars from all over the world." - Dr Anna Tso, The Hang Seng University of Hong Kong.
001476126 588__ $$aDescription based on print version record.
001476126 650_0 $$aPerforming arts$$xResearch$$xMethodology.
001476126 650_0 $$aResearch$$xData processing.
001476126 655_0 $$aElectronic books.
001476126 7001_ $$aTam, Kwok-kan,$$eeditor.
001476126 77608 $$iPrint version:$$tPERFORMANCE ARTS.$$d[Place of publication not identified] : SPRINGER VERLAG, SINGAPOR, 2023$$z9811992126$$w(OCoLC)1355022809
001476126 830_0 $$aDigital culture and humanities ;$$vv. 4.
001476126 852__ $$bebk
001476126 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-19-9213-1$$zOnline Access$$91397441.1
001476126 909CO $$ooai:library.usi.edu:1476126$$pGLOBAL_SET
001476126 980__ $$aBIB
001476126 980__ $$aEBOOK
001476126 982__ $$aEbook
001476126 983__ $$aOnline
001476126 994__ $$a92$$bISE