001476596 000__ 03833cam\\22006497i\4500
001476596 001__ 1476596
001476596 003__ OCoLC
001476596 005__ 20231003174428.0
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001476596 019__ $$a1395947225$$a1396062385
001476596 020__ $$a9783031367168$$q(electronic bk.)
001476596 020__ $$a3031367162$$q(electronic bk.)
001476596 020__ $$z9783031367151
001476596 020__ $$z3031367154
001476596 0247_ $$a10.1007/978-3-031-36716-8$$2doi
001476596 035__ $$aSP(OCoLC)1396762239
001476596 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dN$T$$dYDX
001476596 049__ $$aISEA
001476596 050_4 $$aPL728$$b.H47 2023
001476596 08204 $$a895.6132093543$$223/eng/20230911
001476596 1001_ $$aHepburn, Christopher,$$eauthor.
001476596 24510 $$aDefining Waka musically :$$bsongs of male love in premodern Japan /$$cChristopher Hepburn.
001476596 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2023]
001476596 300__ $$a1 online resource (xxiii, 100 pages) :$$billustrations.
001476596 336__ $$atext$$btxt$$2rdacontent
001476596 337__ $$acomputer$$bc$$2rdamedia
001476596 338__ $$aonline resource$$bcr$$2rdacarrier
001476596 4901_ $$aPalgrave pivot
001476596 504__ $$aIncludes bibliographical references and index.
001476596 5050_ $$a1: Cursed Questions, or An Introduction to Defining Waka Musically -- 2: Foreplay, or On Defining Waka Musically -- 3: Fluid Mechanics, or On Interpreting Waka Musically -- 4: Liquid Love, or Five Premodern Japanese Songs of Male Love -- 5: Dissolve, or On Revisiting Defining Waka Musically.
001476596 506__ $$aAccess limited to authorized users.
001476596 520__ $$aThis book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin's Iwatsutsuji (1676) and Ihara Saikaku's Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire.
001476596 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed September 11, 2023).
001476596 650_0 $$aWaka$$xHistory and criticism.
001476596 650_0 $$aSongs, Japanese$$xHistory and criticism.
001476596 650_0 $$aJapanese poetry$$yEdo period, 1600-1868$$xHistory and criticism.
001476596 650_0 $$aLove in literature.
001476596 650_0 $$aMen in literature.
001476596 655_0 $$aElectronic books.
001476596 77608 $$iPrint version:$$aHepburn, Christopher$$tDefining Waka Musically$$dCham : Palgrave Macmillan,c2023$$z9783031367151
001476596 830_0 $$aPalgrave pivot.
001476596 852__ $$bebk
001476596 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-36716-8$$zOnline Access$$91397441.1
001476596 909CO $$ooai:library.usi.edu:1476596$$pGLOBAL_SET
001476596 980__ $$aBIB
001476596 980__ $$aEBOOK
001476596 982__ $$aEbook
001476596 983__ $$aOnline
001476596 994__ $$a92$$bISE