Linked e-resources
Details
Table of Contents
PhotographyFrance-voorplat
9789461664891
_GoBack
Figures
Plates
Acknowledgements
Introduction
Chapter 1
1970s: Engagement and Subjectivity
Roland Barthes and the Science of Subjectivity
From The Family of Man to Families in France: Documentary and Professional Photography
Mythologies of the Self: Photography in Artistic Practices
Chapter 2
1980s: Objectivity in a Dematerialised World
Jean Baudrillard: The Era of the Object
A Quest for Legitimacy as Art
Staged Photography and the Culture of Simulacra
"The Form Tableau:" Photograph as Object and Picture
Chapter 3
1990s-2000s: The Future of The Photographic Image
Jacques Rancière: Photography as Milieu
Forms of Resistance and Participation
After Photography
Conclusion:
The Landscapes of France
Landscape and the National Imaginary
The DATAR Photographic Mission: Picturing "le territoire des Français"
The Anthropogenic Landscape: The Environmental Perspective
A Sense of Belonging: Territory, Borders, Identity
Towards a Non-Nationalist History of Photography
Plates
Bibliography
Index
Previously published in the Lieven Gevaert Series
Raymond Depardon, New York City. Manhattan. 6th avenue. Newspaper Stand, 1981. Gelatin silver print, 20 × 25 cm. © Raymond Depardon/ Magnum Photos.
Gilles Peress, Pro-Shariatmadari Demonstration, 1980. Reproduced in Gilles Peress, Telex Persan (Paris: Contrejour, 1984). Print book, 27 × 38 cm. Collection Martin Parr, Tate Galleries, London. Photography: author. © Gilles Peress.
Christine Spengler, Young Revolutionary Guard, 1979. Reproduced in Christine Spengler, Années de guerre, 1970-2002 (Paris: Marval, 2003). Print book, 23.5 × 30 cm. Collection British Library, London. Photography: author. © Christine Spengler.
Martine Franck, Women's March for Abortion, from Denfert-Rochereau to Champ de Mars, 6 October 1979, 1979. Gelatin silver print, 20 × 25 cm. © Martine Franck/ Magnum Photos.
Gina Pane, Second Project on Silence, 1970. 2 black-and-white photographs mounted on a panel, 95 × 160 cm. Photography: Hervé Gloaguen. Courtesy of Anne Marchand and kamel mennour Gallery, Paris. © Gina Pane, Adagp, Paris, 2022.
Sophie Calle, Hotel, 1981. Reproduced in Sophie Calle, L'Hôtel. Ecrit sur l'image (Paris: L'Etoile, 1984), pp. 60-61. Print book. 21.2 × 17.8 cm. Collection British Library, London. Photography: author. © Sophie Calle.
9789461664891
_GoBack
Figures
Plates
Acknowledgements
Introduction
Chapter 1
1970s: Engagement and Subjectivity
Roland Barthes and the Science of Subjectivity
From The Family of Man to Families in France: Documentary and Professional Photography
Mythologies of the Self: Photography in Artistic Practices
Chapter 2
1980s: Objectivity in a Dematerialised World
Jean Baudrillard: The Era of the Object
A Quest for Legitimacy as Art
Staged Photography and the Culture of Simulacra
"The Form Tableau:" Photograph as Object and Picture
Chapter 3
1990s-2000s: The Future of The Photographic Image
Jacques Rancière: Photography as Milieu
Forms of Resistance and Participation
After Photography
Conclusion:
The Landscapes of France
Landscape and the National Imaginary
The DATAR Photographic Mission: Picturing "le territoire des Français"
The Anthropogenic Landscape: The Environmental Perspective
A Sense of Belonging: Territory, Borders, Identity
Towards a Non-Nationalist History of Photography
Plates
Bibliography
Index
Previously published in the Lieven Gevaert Series
Raymond Depardon, New York City. Manhattan. 6th avenue. Newspaper Stand, 1981. Gelatin silver print, 20 × 25 cm. © Raymond Depardon/ Magnum Photos.
Gilles Peress, Pro-Shariatmadari Demonstration, 1980. Reproduced in Gilles Peress, Telex Persan (Paris: Contrejour, 1984). Print book, 27 × 38 cm. Collection Martin Parr, Tate Galleries, London. Photography: author. © Gilles Peress.
Christine Spengler, Young Revolutionary Guard, 1979. Reproduced in Christine Spengler, Années de guerre, 1970-2002 (Paris: Marval, 2003). Print book, 23.5 × 30 cm. Collection British Library, London. Photography: author. © Christine Spengler.
Martine Franck, Women's March for Abortion, from Denfert-Rochereau to Champ de Mars, 6 October 1979, 1979. Gelatin silver print, 20 × 25 cm. © Martine Franck/ Magnum Photos.
Gina Pane, Second Project on Silence, 1970. 2 black-and-white photographs mounted on a panel, 95 × 160 cm. Photography: Hervé Gloaguen. Courtesy of Anne Marchand and kamel mennour Gallery, Paris. © Gina Pane, Adagp, Paris, 2022.
Sophie Calle, Hotel, 1981. Reproduced in Sophie Calle, L'Hôtel. Ecrit sur l'image (Paris: L'Etoile, 1984), pp. 60-61. Print book. 21.2 × 17.8 cm. Collection British Library, London. Photography: author. © Sophie Calle.