001476742 000__ 03931nam\a22010215i\4500 001476742 001__ 1476742 001476742 003__ DE-B1597 001476742 005__ 20231017003308.0 001476742 006__ m\\\\\o\\d\\\\\\\\ 001476742 007__ cr\un\nnnunnun 001476742 008__ 210824t20131939mau\\\\\o\\d\z\\\\\\eng\d 001476742 019__ $$a(OCoLC)1024041507 001476742 019__ $$a(OCoLC)1029815267 001476742 019__ $$a(OCoLC)1032692297 001476742 019__ $$a(OCoLC)1037980170 001476742 019__ $$a(OCoLC)1041978393 001476742 019__ $$a(OCoLC)1046610238 001476742 019__ $$a(OCoLC)1046999906 001476742 019__ $$a(OCoLC)1049659458 001476742 019__ $$a(OCoLC)1054880949 001476742 020__ $$a9780674180895 001476742 0247_ $$a10.4159/harvard.9780674180895$$2doi 001476742 035__ $$a(DE-B1597)248470 001476742 035__ $$a(OCoLC)979578258 001476742 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001476742 0410_ $$aeng 001476742 044__ $$amau$$cUS-MA 001476742 050_4 $$aMT55.M4 001476742 072_7 $$aMUS000000$$2bisacsh 001476742 08204 $$a781.4 001476742 1001_ $$aMerritt, Arthur Tillman, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001476742 24510 $$aSixteenth-Century Polyphony :$$bA Basis for the Study of Counterpoint /$$cArthur Tillman Merritt. 001476742 250__ $$aReprint 2014 001476742 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2013] 001476742 264_4 $$c©1939 001476742 300__ $$a1 online resource (215 p.) :$$b237 Notenbsp. 001476742 336__ $$atext$$btxt$$2rdacontent 001476742 337__ $$acomputer$$bc$$2rdamedia 001476742 338__ $$aonline resource$$bcr$$2rdacarrier 001476742 347__ $$atext file$$bPDF$$2rda 001476742 50500 $$tFrontmatter -- $$tACKNOWLEDGMENTS -- $$tCONTENTS -- $$tINTRODUCTION -- $$tPART I. THE SINGLE LINE: PLAINSONG -- $$tPART II. ANALYSIS OF CONTRAPUNTAL TECHNIQUE -- $$tPART III. APPLICATION OF CONTRAPUNTAL PRACTICE -- $$tSOURCES AND BIBLIOGRAPHY -- $$tSOURCES OF ILLUSTRATIONS -- $$tBIBLIOGRAPHY 001476742 506__ $$aAccess limited to authorized users. 001476742 538__ $$aMode of access: Internet via World Wide Web. 001476742 546__ $$aIn English. 001476742 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) 001476742 650_0 $$aCounterpoint. 001476742 650_0 $$aMusic theory. 001476742 650_0 $$aMusik. 001476742 650_4 $$aCounterpoint. 001476742 650_4 $$aMusic theory -- History -- 16th century. 001476742 650_7 $$aMUSIC / General.$$2bisacsh 001476742 655_0 $$aElectronic books 001476742 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP e-dition: Art & Architecture eBook Package$$z9783110353471$$oZDB-23-HAA 001476742 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP e-dition: Complete eBook Package$$z9783110353488$$oZDB-23-HCO 001476742 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP eBook Package Archive 1893-1999$$z9783110442212 001476742 7760_ $$cprint$$z9780674180888 001476742 852__ $$bebk 001476742 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674180895$$zOnline Access $$91476733.1 001476742 909CO $$ooai:library.usi.edu:1476742$$pGLOBAL_SET 001476742 912__ $$a978-3-11-044221-2 HUP eBook Package Archive 1893-1999$$c1893$$d1999 001476742 912__ $$aEBA_BACKALL 001476742 912__ $$aEBA_CL_MUAR 001476742 912__ $$aEBA_EBACKALL 001476742 912__ $$aEBA_EBKALL 001476742 912__ $$aEBA_ECL_MUAR 001476742 912__ $$aEBA_EEBKALL 001476742 912__ $$aEBA_ESSHALL 001476742 912__ $$aEBA_PPALL 001476742 912__ $$aEBA_SSHALL 001476742 912__ $$aEBA_STMALL 001476742 912__ $$aGBV-deGruyter-alles 001476742 912__ $$aPDA11SSHE 001476742 912__ $$aPDA12STME 001476742 912__ $$aPDA13ENGE 001476742 912__ $$aPDA17SSHEE 001476742 912__ $$aPDA5EBK 001476742 912__ $$aZDB-23-HAA 001476742 912__ $$aZDB-23-HCO 001476742 980__ $$aBIB 001476742 980__ $$aEBOOK 001476742 982__ $$aEbook 001476742 983__ $$aOnline