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001476849 020__ $$a9781479808472
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001476849 1001_ $$aRamos, Iván A., $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut
001476849 24510 $$aUnbelonging :$$bInauthentic Sounds in Mexican and Latinx Aesthetics /$$cIván A. Ramos.
001476849 264_1 $$aNew York, NY : $$bNew York University Press, $$c[2023]
001476849 264_4 $$c©2023
001476849 300__ $$a1 online resource :$$b39 b/w illustrations
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001476849 4900_ $$aPostmillennial Pop ;$$v28
001476849 50500 $$tFrontmatter -- $$tContents -- $$tIntroduction: Unbelonging Subjects and Inauthentic Objects in the Time of Neoliberalism -- $$t1 Melting Modernities: Sound, Ice, and the Refusal of History -- $$t2 Aimless Lives: Punkeras, Metaleras, and the Sounds of Negation -- $$t3 Dyke Chords: Chicana Punks and Lesbian Dissolution in the Performance of Las Cucas -- $$t4 Truly Disappointed: Morrissey, Latina/os, and the Joys of Shared Melancholia -- $$tCoda: How Soon Was Now? -- $$tAcknowledgments -- $$tNotes -- $$tIndex -- $$tAbout the Author
001476849 506__ $$aAccess limited to authorized users.
001476849 520__ $$aHow Latinx artists engage in sonic subcultures to reject neoliberal definitions of belongingWhat is the connection between the British rock star Morrissey and the Latinx culture of transnational "unbelonging"? What is the relevance of "dyke chords" in Chicana feminist punk and lesbian dissolution? In what ways can dissonant sounds challenge systems of dominance?Unbelonging answers these questions and more through an exploration into Mexican and US-based Latinx artists', writers', and creators' use of the discordant sounds of punk, metal, and rock to give voice to the aesthetic of "unbelonging," a rejection of consumerist and nationalist mentalities. Iván A. Ramos argues that racial identity and belonging have historically required legible forms of performance. Sound has been the primary medium that amplifies and is used to assign cultural citizenship and, for Latinx individuals, legibility is essential to music perceived as traditional and authentic to their national origins. In the context of twentieth-century neoliberal policies, which cemented the concept of "citizen" within logics of consumerism and capitalism, Ramos turns to focus on Latinx artists, writers, and audiences, who produce experimental and often "inauthentic" performances and installations in sonic subcultures to reject new definitions of economic citizenship.Organized around studies of a number of artists, all whom are explored through the methodological frameworks of sound studies, performance studies, and queer theory, Unbelonging unearths how their very different genres of music share a unifying theme of dissonance. With the backdrop of neoliberalism's attempt to define citizenship in relation to economic and cultural legibility, Unbelonging offers an urgent analysis of how these oft-overlooked queer and feminist performers and fans used sonic illegibility to challenge gender norms, official definitions of citizenship, and narratives of assimilation. Ultimately, these forms of inauthenticity move beyond negation and become ways to imagine alternative realities.
001476849 538__ $$aMode of access: Internet via World Wide Web.
001476849 546__ $$aIn English.
001476849 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)
001476849 650_0 $$aAuthenticity (Philosophy).
001476849 650_0 $$aBelonging (Social psychology).
001476849 650_0 $$aHispanic Americans$$xMusic$$xHistory and criticism.
001476849 650_0 $$aLatin Americans$$xMusic$$xHistory and criticism.
001476849 650_0 $$aMusic$$xPhilosophy and aesthetics.
001476849 650_7 $$aART / Performance.$$2bisacsh
001476849 653__ $$aLatinx.
001476849 653__ $$aMexico.
001476849 653__ $$aNeoliberalism.
001476849 653__ $$aPerformance.
001476849 653__ $$aPunk.
001476849 653__ $$aSound.
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