001476852 000__ 07800nam\a22013815i\4500 001476852 001__ 1476852 001476852 003__ DE-B1597 001476852 005__ 20231017003314.0 001476852 006__ m\\\\\o\\d\\\\\\\\ 001476852 007__ cr\un\nnnunnun 001476852 008__ 230529t20232023nyu\\\\\o\\d\z\\\\\\eng\d 001476852 020__ $$a9781479810840 001476852 0247_ $$a10.18574/nyu/9781479810840.001.0001$$2doi 001476852 035__ $$a(DE-B1597)626891 001476852 035__ $$a(OCoLC)1356004284 001476852 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001476852 0410_ $$aeng 001476852 044__ $$anyu$$cUS-NY 001476852 050_4 $$aHM1027.U6$$bB67 2023 001476852 072_7 $$aSOC052000$$2bisacsh 001476852 08204 $$a303.40973$$223/eng/20221103 001476852 1001_ $$aBorum, Caty, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001476852 24514 $$aThe Revolution Will Be Hilarious :$$bComedy for Social Change and Civic Power /$$cCaty Borum. 001476852 264_1 $$aNew York, NY : $$bNew York University Press, $$c[2023] 001476852 264_4 $$cĀ©2023 001476852 300__ $$a1 online resource :$$b20 b/w illustrations 001476852 336__ $$atext$$btxt$$2rdacontent 001476852 337__ $$acomputer$$bc$$2rdamedia 001476852 338__ $$aonline resource$$bcr$$2rdacarrier 001476852 347__ $$atext file$$bPDF$$2rda 001476852 4900_ $$aPostmillennial Pop ;$$v29 001476852 50500 $$tFrontmatter -- $$tContents -- $$tList of Figures -- $$tPreface -- $$tIntroduction: "It's like Taking Your Vodka with a Chaser": Comedy as Civic Power in the Participatory Media Age -- $$t1. "Desperate Cheeto": How Comedy Functions as Deviant Creative Resistance -- $$t2. "It's All about Who You Know": Pitching and Producing Comedy in the Transforming Entertainment Industry -- $$t3. "Hollywood Won't Change Unless It's Forced to Change": How Activism and Entertainment Collide and Collaborate -- $$t4. "You Learn to Be Racist from People You Love": Co-creating Comedy for Antiracism Public Engagement -- $$t5. "Invisibility Is Not a Superpower": Asserting Native American Identity through Humor -- $$t6. "Maybe They Think Beauty Can't Come from Here": Resilience and Power in the Climate Crisis -- $$t7. "I've Always Been a Syringe-Half- Full Kinda Guy": Changing the Entertainment Comedy Pipeline -- $$tConclusion: Taking Comedy Seriously -- $$tAcknowledgments -- $$tAppendix: List of Interviewees -- $$tNotes -- $$tIndex -- $$tAbout the Author 001476852 506__ $$aAccess limited to authorized users. 001476852 520__ $$aAn insider's look at the power of comedy to effect social changeFrom Trevor Noah's The Daily Show and Hasan Minhaj's Patriot Act, to Issa Rae's Insecure and Corey Ryan Forrester's Twitter feed, today's multi-platform comedy refuses to shy away from the social issues that define our time.As more comedians lean into social justice activism, they help reshape the entertainment industry and offer creative, dynamic avenues for social change. The Revolution Will Be Hilarious offers a compelling insider's look at how comedy and social justice activists are working together in a revolutionary media moment. Caty Borum invites readers into an expanding, enterprising arena of participatory culture and politics through in-depth interviews with comedians, social justice leaders, and Hollywood players. Their insights shed light on questions such as: What role does comedy play in helping communities engage the public with challenging social issues? How do social justice organizations and comedians co-create entertaining comedy designed to build the civic power of marginalized groups? And how are entertainment industry leaders working with social justice organizations to launch new comedy as both entertainment and inspiration for social change?Through this exploration, Borum argues that building creative power is crucial for marginalized groups to build civic power. The Revolution Will Be Hilarious positions the rise of social justice comedy as creative, disruptive storytelling that hilariously invites us to agitate the status quo and re-imagine social realities to come closer to the promise of equity and justice in America. 001476852 538__ $$aMode of access: Internet via World Wide Web. 001476852 546__ $$aIn English. 001476852 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 001476852 650_0 $$aComedians$$zUnited States$$xHistory$$y21st century. 001476852 650_0 $$aCreative ability$$zUnited States$$xHistory$$y21st century. 001476852 650_0 $$aSocial change$$zUnited States$$xHistory$$y21st century. 001476852 650_7 $$aSOCIAL SCIENCEĀ / Media Studies.$$2bisacsh 001476852 653__ $$aActivism. 001476852 653__ $$aAnti-racism. 001476852 653__ $$aBlack communities. 001476852 653__ $$aCivic power. 001476852 653__ $$aCivil society. 001476852 653__ $$aClimate change. 001476852 653__ $$aCo-creation. 001476852 653__ $$aComedy. 001476852 653__ $$aCreative deviance. 001476852 653__ $$aCreative power. 001476852 653__ $$aCreative process. 001476852 653__ $$aCreative resistance. 001476852 653__ $$aCreativity. 001476852 653__ $$aCultural power. 001476852 653__ $$aCultural strategy. 001476852 653__ $$aDeviant creative resistance. 001476852 653__ $$aEntertainment industry. 001476852 653__ $$aEntertainment pipeline. 001476852 653__ $$aEntertainment. 001476852 653__ $$aEnvironmental justice. 001476852 653__ $$aFoundations. 001476852 653__ $$aGrassroots community organizing. 001476852 653__ $$aGrassroots. 001476852 653__ $$aHollywood. 001476852 653__ $$aLive comedy. 001476852 653__ $$aNarrative change. 001476852 653__ $$aNarrative strategy. 001476852 653__ $$aNative Americans. 001476852 653__ $$aNative invisibility. 001476852 653__ $$aParticipatory culture. 001476852 653__ $$aParticipatory media. 001476852 653__ $$aPublic engagement. 001476852 653__ $$aRacism. 001476852 653__ $$aRepresentation. 001476852 653__ $$aResilience. 001476852 653__ $$aSocial capital. 001476852 653__ $$aSocial change. 001476852 653__ $$aSocial justice activism. 001476852 653__ $$aSocial justice. 001476852 653__ $$aStreaming media. 001476852 653__ $$aWomen. 001476852 655_0 $$aElectronic books 001476852 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE COMPLETE 2023 English$$z9783111319292 001476852 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE COMPLETE 2023$$z9783111318912$$oZDB-23-DGG 001476852 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE Cultural and Area Studies 2023 English$$z9783111319094 001476852 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE Cultural and Area Studies 2023$$z9783111318127 001476852 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tNew York University Press Complete eBook-Package 2023$$z9783110751635 001476852 852__ $$bebk 001476852 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9781479810840$$zOnline Access $$91476733.1 001476852 909CO $$ooai:library.usi.edu:1476852$$pGLOBAL_SET 001476852 912__ $$a978-3-11-075163-5 New York University Press Complete eBook-Package 2023$$b2023 001476852 912__ $$a978-3-11-131812-7 EBOOK PACKAGE Cultural and Area Studies 2023$$b2023 001476852 912__ $$a978-3-11-131909-4 EBOOK PACKAGE Cultural and Area Studies 2023 English$$b2023 001476852 912__ $$a978-3-11-131929-2 EBOOK PACKAGE COMPLETE 2023 English$$b2023 001476852 912__ $$aEBA_CL_HICS 001476852 912__ $$aEBA_EBKALL 001476852 912__ $$aEBA_ECL_HICS 001476852 912__ $$aEBA_EEBKALL 001476852 912__ $$aEBA_ESSHALL 001476852 912__ $$aEBA_PPALL 001476852 912__ $$aEBA_SSHALL 001476852 912__ $$aGBV-deGruyter-alles 001476852 912__ $$aPDA11SSHE 001476852 912__ $$aPDA13ENGE 001476852 912__ $$aPDA17SSHEE 001476852 912__ $$aPDA5EBK 001476852 912__ $$aZDB-23-DGG$$b2023 001476852 980__ $$aBIB 001476852 980__ $$aEBOOK 001476852 982__ $$aEbook 001476852 983__ $$aOnline