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001476855 020__ $$a9781479811892
001476855 0247_ $$a10.18574/nyu/9781479811892.001.0001$$2doi
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001476855 1001_ $$aLin, Jian, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut
001476855 24510 $$aChinese Creator Economies :$$bLabor and Bilateral Creative Workers /$$cJian Lin.
001476855 264_1 $$aNew York, NY : $$bNew York University Press, $$c[2023]
001476855 264_4 $$c©2023
001476855 300__ $$a1 online resource :$$b12 b/w illustrations
001476855 336__ $$atext$$btxt$$2rdacontent
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001476855 4900_ $$aCritical Cultural Communication
001476855 50500 $$tFrontmatter -- $$tContents -- $$tIntroduction: The Bilateral Creatives -- $$t1: Understanding China's Cultural Industries -- $$t2: Being Creative for the State -- $$t3: From Independent to Art Film and Back Again -- $$t4: (Un-) Becoming Chinese Creatives -- $$t5: The Unlikely Creative Class -- $$t6: The Future of Bilateral Creatives -- $$tAcknowledgments -- $$tAppendix I: Interviewee List -- $$tAppendix II: Chinese Cultural Industries Policy (1987-2017 Selected) -- $$tNotes -- $$tReferences -- $$tIndex -- $$tAbout the Author
001476855 506__ $$aAccess limited to authorized users.
001476855 520__ $$aThe paradoxical relationship between Chinese creative workers and the stateChinese Creator Economies dives into the paradoxical lives lived by creative professionals in emerging economies across China. Jian Lin contextualizes the socioeconomic conditions in which cultural production takes place and pushes back against the dominant understanding of Chinese media as a centralized, state-controlled apparatus by looking at how individual creative workers grapple with governance and precarity in the Chinese cultural industries and develop their bilateral subjectivities within the politico-economic system of Chinese media. Drawing on intensive empirical research conducted on creative labor practices across television, journalism, design, and social media, Chinese Creative Economies looks at both Chinese and foreign-born content creators, exploring the tensions between Beijing's limits on individual creativity, and its aspirations to become a global hub for cultural production. Lin maintains that it is the production of bilateral creatives that generates and maintains hope for the future of those who live and work within the cultural economies of China.
001476855 538__ $$aMode of access: Internet via World Wide Web.
001476855 546__ $$aIn English.
001476855 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)
001476855 650_0 $$aArts$$zChina.
001476855 650_0 $$aCultural industries$$zChina$$xEmployees.
001476855 650_7 $$aSOCIAL SCIENCE / Media Studies.$$2bisacsh
001476855 653__ $$aBilateral creatives.
001476855 653__ $$aContemporary China.
001476855 653__ $$aCreative labour.
001476855 653__ $$aCultural industries.
001476855 653__ $$aMedia production.
001476855 653__ $$aSubjectivity.
001476855 655_0 $$aElectronic books
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001476855 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE Cultural and Area Studies 2023 English$$z9783111319094
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001476855 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tNew York University Press Complete eBook-Package 2023$$z9783110751635
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