001476871 000__ 09322nam\a22012735i\4500 001476871 001__ 1476871 001476871 003__ DE-B1597 001476871 005__ 20231017003315.0 001476871 006__ m\\\\\o\\d\\\\\\\\ 001476871 007__ cr\un\nnnunnun 001476871 008__ 230529t20232023nyu\\\\\o\\d\z\\\\\\eng\d 001476871 020__ $$a9781479816866 001476871 0247_ $$a10.18574/nyu/9781479816866.001.0001$$2doi 001476871 035__ $$a(DE-B1597)642240 001476871 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001476871 0410_ $$aeng 001476871 044__ $$anyu$$cUS-NY 001476871 050_4 $$aPN1992.55$$b.S87 2023 001476871 072_7 $$aTEC043000$$2bisacsh 001476871 08204 $$a791.45/3$$223/eng/20230206 001476871 24500 $$aStreaming Video :$$bStorytelling Across Borders /$$ced. by Ramon Lobato, Amanda D. Lotz. 001476871 264_1 $$aNew York, NY : $$bNew York University Press, $$c[2023] 001476871 264_4 $$c©2023 001476871 300__ $$a1 online resource :$$b9 b/w illustrations 001476871 336__ $$atext$$btxt$$2rdacontent 001476871 337__ $$acomputer$$bc$$2rdamedia 001476871 338__ $$aonline resource$$bcr$$2rdacarrier 001476871 347__ $$atext file$$bPDF$$2rda 001476871 4900_ $$aCritical Cultural Communication 001476871 50500 $$tFrontmatter -- $$tContents -- $$tIntroduction: Streaming Stories -- $$t1. Why SVOD Commissions Matter -- $$t2. Conceptualizing the National and the Global in SVOD Original Production -- $$t3. Place in Netflix Original Police Drama: Local Signifiers and Global Audiences -- $$t4. "OTT Is Exactly What TV Is Not": Structural Adjustment and Shifts in Indian Scriptwriting -- $$t5. Challenging Cultural and Political Taboos: A Turkish SVOD's Experiments in Taboo Comedy -- $$t6. Argentina on Demand: Streaming Crisis, Gangsters, and Athletes -- $$t7. Girls from Ipanema and Netflix's Deviations from Brazilian Serial Storytelling Norms -- $$t8. Originals with a Spanish Flavor: Netflix's Cable Girls and the Reinvention of Broadcast TV Drama for Video-on- Demand Services -- $$t9. The Secret Life of the Jordanian Teenager: Netflix and Storytelling Opportunities in MENA -- $$t10. A New Style of K-Drama in Netflix Originals: Generic and Stylistic Experiments in Korean "Genre Dramas" -- $$t11. A New Era of Creative Freedom: How Tencent Originals Are Reinvigorating Chinese Talk Shows -- $$t12. Long Live the Rainbow Nation? How Showmax and Netflix Originals Narrate Cultural Diversity in South Africa -- $$t13. The Return of Indigenismo in Netflix Mexico -- $$t14. Dark Narratives or Sunny Stories? Appropriating Global Teen Drama in Italian Netflix Originals -- $$t15. SVODs' Innovation in Children's Content -- $$t16. SVOD Original Film Commissioning: Expanding the Boundaries of Commercial Film? -- $$t17. To All the Romantic Comedies I've Loved Before: How Netflix Reinvigorated a Genre -- $$t18. iROKOtv Originals and the Construction of Gender Relations in Nollywood Family Films -- $$tAcknowledgments -- $$tAbout the Editors -- $$tAbout the Contributors -- $$tIndex 001476871 506__ $$aAccess limited to authorized users. 001476871 520__ $$aAn international team of experts explores how streaming services are disrupting traditional storytelling.The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the globe, from Mexico City to Mumbai. Streaming Video maps this international production boom and what it means for producers, audiences, and storytellers. Through eighteen richly textured case studies, ranging from original Korean dramas on Netflix to BluTV's experimental Turkish series, the book investigates how streaming services both disrupt and maintain storytelling traditions in specific national contexts. To what extent, and how, are streamers expanding norms of television and film storytelling in different parts of the world? Are streamers enabling the creation of content that would not otherwise exist? What are the implications for different viewers, in different countries, with different tastes? Together, the chapters critically assess the impacts of streaming on twenty-first century audiovisual storytelling and rethink established understandings of transnational screen flows. 001476871 538__ $$aMode of access: Internet via World Wide Web. 001476871 546__ $$aIn English. 001476871 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 001476871 650_0 $$aMotion pictures$$xPlots, themes, etc.$$vCase studies. 001476871 650_0 $$aStreaming video$$vCase studies. 001476871 650_0 $$aTelevision programs$$xPlots, themes, etc.$$vCase studies. 001476871 650_0 $$aVideo-on-demand$$vCase studies. 001476871 650_7 $$aTechnology & Engineering / Television & Video.$$2bisacsh 001476871 653__ $$aAmazon Prime Video. 001476871 653__ $$aNetflix. 001476871 653__ $$aSVOD originals. 001476871 653__ $$aStreaming. 001476871 653__ $$acommissioning. 001476871 653__ $$aglobal. 001476871 653__ $$aproduction. 001476871 653__ $$asubscription video-on-demand (SVOD). 001476871 653__ $$atelevision. 001476871 653__ $$atransnational. 001476871 655_0 $$aElectronic books 001476871 7001_ $$aArantes, Livia Maia, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aBarra, Luca, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aCascajosa, Concepción, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aCastro, Deborah, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aChambwera, Collen, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aCunningham, Stuart, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aIldir, Asli, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aKang, Jennifer M., $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aLin, Lisa, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aLlamas-Rodríguez, Juan, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aLobato, Ramon, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aLobato, Ramon, $$eeditor.$$4edt$$4http://id.loc.gov/vocabulary/relators/edt 001476871 7001_ $$aLotz, Amanda D., $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aLotz, Amanda D., $$eeditor.$$4edt$$4http://id.loc.gov/vocabulary/relators/edt 001476871 7001_ $$aMeir, Christopher, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aPotter, Anna, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aRocha, Simone Maria, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aSamy, Fairooz, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aScarlata, Alexa, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aSerpe, Joaquín, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aSimon, Godwin, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aTiwary, Ishita, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 7001_ $$aWayne, Michael L., $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001476871 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE COMPLETE 2023 English$$z9783111319292 001476871 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE COMPLETE 2023$$z9783111318912$$oZDB-23-DGG 001476871 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE Engineering, Computer Sciences 2023 English$$z9783111319124 001476871 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tEBOOK PACKAGE Engineering, Computer Sciences 2023$$z9783111318165$$oZDB-23-DEI 001476871 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tNew York University Press Complete eBook-Package 2023$$z9783110751635 001476871 852__ $$bebk 001476871 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9781479816866$$zOnline Access $$91476733.1 001476871 909CO $$ooai:library.usi.edu:1476871$$pGLOBAL_SET 001476871 912__ $$a978-3-11-075163-5 New York University Press Complete eBook-Package 2023$$b2023 001476871 912__ $$a978-3-11-131912-4 EBOOK PACKAGE Engineering, Computer Sciences 2023 English$$b2023 001476871 912__ $$a978-3-11-131929-2 EBOOK PACKAGE COMPLETE 2023 English$$b2023 001476871 912__ $$aEBA_CL_CHCOMSGSEN 001476871 912__ $$aEBA_EBKALL 001476871 912__ $$aEBA_ECL_CHCOMSGSEN 001476871 912__ $$aEBA_EEBKALL 001476871 912__ $$aEBA_ESTMALL 001476871 912__ $$aEBA_PPALL 001476871 912__ $$aEBA_STMALL 001476871 912__ $$aGBV-deGruyter-alles 001476871 912__ $$aPDA12STME 001476871 912__ $$aPDA13ENGE 001476871 912__ $$aPDA18STMEE 001476871 912__ $$aPDA5EBK 001476871 912__ $$aZDB-23-DEI$$b2023 001476871 912__ $$aZDB-23-DGG$$b2023 001476871 980__ $$aBIB 001476871 980__ $$aEBOOK 001476871 982__ $$aEbook 001476871 983__ $$aOnline