Sonic Sovereignty : Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams / Liz Przybylski.
Przybylski, Liz, author.
2023
ML3563 .P78 2023
Available Online

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Title Sonic Sovereignty : Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams / Liz Przybylski.
Author Przybylski, Liz, author.
ISBN 9781479816934
DOI https://doi.org/10.18574/nyu/9781479816934.001.0001
Published New York, NY : New York University Press, [2023]
Copyright ©2023
Language English
Language Note In English.
Description 1 online resource : 17 b/w illustrations
Item Number 10.18574/nyu/9781479816934.001.0001 doi
Call Number ML3563 .P78 2023
Dewey Decimal Classification 782.4216490971
Summary What does sovereignty sound like?Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks.Przybylski documents and reflects on shifts in both the music industry and political landscape in the last fifteen years: just as the ways in which people listen to, consume, and interact with popular music have radically changed, large public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures.Sonic Sovereignty encourages us to experiment with the temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of time. Przybylski maintains that hip hop and many North American Indigenous practices, all drawn from storytelling, welcome nonlinear listening. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities.
Access Note Access limited to authorized users.
System Details Note Mode of access: Internet via World Wide Web.
Digital File Characteristics text file PDF
Source of Description Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)
Series Postmillennial Pop
In EBOOK PACKAGE COMPLETE 2023 English
EBOOK PACKAGE COMPLETE 2023
EBOOK PACKAGE Cultural and Area Studies 2023 English
EBOOK PACKAGE Cultural and Area Studies 2023
New York University Press Complete eBook-Package 2023
Linked Resources Online Access
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Frontmatter
Contents
Introduction: Flow, Break, Backspin, Repeat
1. Hip Hop and Contemporary Urban Indigeneity
2. The Remaking of a Hip Hop Mainstream through Online and Broadcast Media
3. Radio Silence: Changing Mediascapes
4. This Music Is Not for You: Humor, Rage, and Hip Hop
5. Decolonial Listening?
Acknowledgments
Notes
Index
About the Author

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