Sonic Sovereignty : Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams / Liz Przybylski.
2023
ML3563 .P78 2023
Linked e-resources
Linked Resource
Concurrent users
Unlimited
Authorized users
Authorized users
Access notes
DRM-Free
Document Delivery Supplied
Can lend chapters, not whole books
Details
Title
Sonic Sovereignty : Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams / Liz Przybylski.
Author
ISBN
9781479816934
Published
New York, NY : New York University Press, [2023]
Copyright
©2023
Language
English
Language Note
In English.
Description
1 online resource : 17 b/w illustrations
Item Number
10.18574/nyu/9781479816934.001.0001 doi
Call Number
ML3563 .P78 2023
Dewey Decimal Classification
782.4216490971
Summary
What does sovereignty sound like?Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks.Przybylski documents and reflects on shifts in both the music industry and political landscape in the last fifteen years: just as the ways in which people listen to, consume, and interact with popular music have radically changed, large public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures.Sonic Sovereignty encourages us to experiment with the temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of time. Przybylski maintains that hip hop and many North American Indigenous practices, all drawn from storytelling, welcome nonlinear listening. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities.
Access Note
Access limited to authorized users.
System Details Note
Mode of access: Internet via World Wide Web.
Digital File Characteristics
text file PDF
Source of Description
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)
Series
Postmillennial Pop
In
Linked Resources
Record Appears in
Table of Contents
Frontmatter
Contents
Introduction: Flow, Break, Backspin, Repeat
1. Hip Hop and Contemporary Urban Indigeneity
2. The Remaking of a Hip Hop Mainstream through Online and Broadcast Media
3. Radio Silence: Changing Mediascapes
4. This Music Is Not for You: Humor, Rage, and Hip Hop
5. Decolonial Listening?
Acknowledgments
Notes
Index
About the Author
Contents
Introduction: Flow, Break, Backspin, Repeat
1. Hip Hop and Contemporary Urban Indigeneity
2. The Remaking of a Hip Hop Mainstream through Online and Broadcast Media
3. Radio Silence: Changing Mediascapes
4. This Music Is Not for You: Humor, Rage, and Hip Hop
5. Decolonial Listening?
Acknowledgments
Notes
Index
About the Author