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Table of Contents
Frontmatter
Contents
Introduction Reading Against the Grain: Musings of an Italianist, from the Astral to the Artisanal
I. A PHILOSOPHY OF DESIRE
1. Dante and the Lyric Past
2. Guittone's Ora parrà, Dante's Doglia mi reca, and the Commedia's Anatomy of Desire
3. Dante and Cavalcanti (On Making Distinctions in Matters of Love): Inferno 5 in Its Lyric and Autobiographical Context
4. Medieval Multiculturalism and Dante's Theology of Hell
II. CHRISTIAN AND PAGAN INTERTEXTS
5. Why Did Dante Write the Commedia? Dante and the Visionary Tradition
6. Minos's Tail: The Labor of Devising Hell (Aeneid 6.431-33 and Inferno 5.1-24)
7. Q: Does Dante Hope for Vergil's Salvation? A: Why Do We Care? For the Very Reason We Should Not Ask the Question
8. Arachne, Argus, and St. John: Transgressive Art in Dante and Ovid
III. ORDERING THE MACROTEXT: TIME AND NARRATIVE
9. Cominciandomi dal principio infino a la fine: Forging Anti-narrative in the Vita nuova
10. The Making of a Lyric Sequence: Time and Narrative in Petrarch's Rerum vulgarium fragmenta
11. The Wheel of the Decameron
12. Editing Dante's Rime and Italian Cultural History: Dante, Boccaccio, Petrarca . . . Barbi, Contini, Foster-Boyde, De Robertis
IV. GENDER
13. Le parole son femmine e i fatti son maschi: Toward a Sexual Poetics of the Decameron (Decameron 2.9, 2.10, 5.10)
14. Dante and Francesca da Rimini: Realpolitik, Romance, and Gender
15. Sotto benda: Gender in the Lyrics of Dante and Guittone d'Arezzo (With a Brief Excursus on Cecco d'Ascoli)
16. Notes toward a Gendered History of Italian Literature, with a Discussion of Dante's Beatrix Loquax
Notes
Index
Contents
Introduction Reading Against the Grain: Musings of an Italianist, from the Astral to the Artisanal
I. A PHILOSOPHY OF DESIRE
1. Dante and the Lyric Past
2. Guittone's Ora parrà, Dante's Doglia mi reca, and the Commedia's Anatomy of Desire
3. Dante and Cavalcanti (On Making Distinctions in Matters of Love): Inferno 5 in Its Lyric and Autobiographical Context
4. Medieval Multiculturalism and Dante's Theology of Hell
II. CHRISTIAN AND PAGAN INTERTEXTS
5. Why Did Dante Write the Commedia? Dante and the Visionary Tradition
6. Minos's Tail: The Labor of Devising Hell (Aeneid 6.431-33 and Inferno 5.1-24)
7. Q: Does Dante Hope for Vergil's Salvation? A: Why Do We Care? For the Very Reason We Should Not Ask the Question
8. Arachne, Argus, and St. John: Transgressive Art in Dante and Ovid
III. ORDERING THE MACROTEXT: TIME AND NARRATIVE
9. Cominciandomi dal principio infino a la fine: Forging Anti-narrative in the Vita nuova
10. The Making of a Lyric Sequence: Time and Narrative in Petrarch's Rerum vulgarium fragmenta
11. The Wheel of the Decameron
12. Editing Dante's Rime and Italian Cultural History: Dante, Boccaccio, Petrarca . . . Barbi, Contini, Foster-Boyde, De Robertis
IV. GENDER
13. Le parole son femmine e i fatti son maschi: Toward a Sexual Poetics of the Decameron (Decameron 2.9, 2.10, 5.10)
14. Dante and Francesca da Rimini: Realpolitik, Romance, and Gender
15. Sotto benda: Gender in the Lyrics of Dante and Guittone d'Arezzo (With a Brief Excursus on Cecco d'Ascoli)
16. Notes toward a Gendered History of Italian Literature, with a Discussion of Dante's Beatrix Loquax
Notes
Index