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Table of Contents
Frontmatter
Contents
Acknowledgments
Note on Citations
Introduction
PART ONE Philosophical Foundations
1. Presuppositions and Varieties of Aesthetic Experience
PART TWO Aesthetic Forms at the Scandinavian Periphery
2. Johan Ludvig Heiberg and the Autonomy of Art
3. Aesthetics of Fragmentation in Henrik Ibsen's Peer Gynt
4. Nora's Departure and the Aesthetics of Dependency
PART THREE Modernism and Dependency
5. Henry James and the Emergence of the Major Phase
6. Hugo von Hofmannsthal and the Language of the Future
7. Conflict and Mediation in James Joyce's "The Dead"
8. Intransitive Love in Rainer Maria Rilke's The Notebooks of Malte Laurids Brigge
Conclusion
Notes
Bibliography
Index
Contents
Acknowledgments
Note on Citations
Introduction
PART ONE Philosophical Foundations
1. Presuppositions and Varieties of Aesthetic Experience
PART TWO Aesthetic Forms at the Scandinavian Periphery
2. Johan Ludvig Heiberg and the Autonomy of Art
3. Aesthetics of Fragmentation in Henrik Ibsen's Peer Gynt
4. Nora's Departure and the Aesthetics of Dependency
PART THREE Modernism and Dependency
5. Henry James and the Emergence of the Major Phase
6. Hugo von Hofmannsthal and the Language of the Future
7. Conflict and Mediation in James Joyce's "The Dead"
8. Intransitive Love in Rainer Maria Rilke's The Notebooks of Malte Laurids Brigge
Conclusion
Notes
Bibliography
Index