TY  - GEN
AB  - Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
AU  - Wall-Romana, Christophe, 
CN  - PQ443
DO  - 10.1515/9780823245512
DO  - doi
ID  - 1477562
JF  - Fordham University Press Complete eBook-Package Pre-2014
JF  - Fordham University Press eBook-Package Backlist 2000-2013
KW  - French poetry
KW  - French poetry
KW  - Motion pictures and literature
KW  - Motion pictures in literature.
KW  - Cinema & Media Studies.
KW  - Literary Studies.
KW  - LITERARY CRITICISM / European / French.
KW  - André Breton.
KW  - Charles Chaplin.
KW  - Jean Epstein.
KW  - Stéphane Mallarmé.
KW  - cross media studies.
KW  - early cinema.
KW  - film studies.
KW  - literary criticism.
KW  - modern French literature.
KW  - poetry.
LA  - eng
LA  - In English.
LK  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823245512
N2  - Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
SN  - 9780823245512
T1  - Cinepoetry :Imaginary Cinemas in French Poetry /
TI  - Cinepoetry :Imaginary Cinemas in French Poetry /
UR  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823245512
ER  -