001477562 000__ 06271nam\a22009975i\4500 001477562 001__ 1477562 001477562 003__ DE-B1597 001477562 005__ 20231026034816.0 001477562 006__ m\\\\\o\\d\\\\\\\\ 001477562 007__ cr\un\nnnunnun 001477562 008__ 230103t20132013nyu\\\\\o\\d\z\\\\\\eng\d 001477562 020__ $$a9780823245512 001477562 0247_ $$a10.1515/9780823245512$$2doi 001477562 035__ $$a(DE-B1597)555244 001477562 035__ $$a(OCoLC)1162293025 001477562 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001477562 0410_ $$aeng 001477562 044__ $$anyu$$cUS-NY 001477562 050_4 $$aPQ443$$b.W35 2013 001477562 072_7 $$aLIT004150$$2bisacsh 001477562 08204 $$a841/.91209357$$223 001477562 1001_ $$aWall-Romana, Christophe, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001477562 24510 $$aCinepoetry :$$bImaginary Cinemas in French Poetry /$$cChristophe Wall-Romana. 001477562 264_1 $$aNew York, NY : $$bFordham University Press, $$c[2013] 001477562 264_4 $$c©2013 001477562 300__ $$a1 online resource (504 p.) :$$b51 Black & White and Color Illustrations 001477562 336__ $$atext$$btxt$$2rdacontent 001477562 337__ $$acomputer$$bc$$2rdamedia 001477562 338__ $$aonline resource$$bcr$$2rdacarrier 001477562 347__ $$atext file$$bPDF$$2rda 001477562 4900_ $$aVerbal Arts: Studies in Poetics 001477562 50500 $$tFrontmatter -- $$tContents -- $$tList of Illustrations -- $$tAcknowledgments -- $$tList of Abbreviations -- $$tIntroduction: Cinema as Imaginary Medium in French Poetry -- $$tPart One. The Early Poetic Sensorium of the Apparatus -- $$t1. Mallarmé Unfolds the Cinématographe -- $$t2. The Pen-Camera: Raymond Roussel's Freeze-Frame Panorama -- $$t3. Le Film surnaturel: Cocteau's Immersive Writing -- $$tPart Two. Telepresence of the Marvelous: Cinepoetic Theories in the 1920s -- $$t4. Jean Epstein's Invention of Cinepoetry -- $$t5. Breton's Surrealism, or How to Sublimate Cinepoetry -- $$t6. Doing Filmic Things with Words: On Chaplin -- $$tPart Three. Cinepoetry and Postwar Trauma Cultures -- $$t7. The Poem-Scenario in the Interwar (1917-1928) -- $$t8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946-1959) -- $$tPart Four. Cinema's Print Culture in Poetry -- $$t9. Postlyricism and the Movie Program: From Jarry to Alferi -- $$t10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- $$tPart Five. Skin, Screen, Page: Cinepoetry's Historical Imaginary -- $$t11. Max Jeanne's Western: Eschatological Sarcasm in the Postcolony -- $$t12. Maurice Roche's Compact: Word-Tracks and the Body Apparatus -- $$t13. Nelly Kaplan's Le Collier de ptyx: Mallarmé as Political McGuffin -- $$tConclusion: The Film to Come in Contemporary Poetry -- $$tNotes -- $$tBibliography -- $$tIndex 001477562 506__ $$aAccess limited to authorized users. 001477562 520__ $$aCinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids. 001477562 538__ $$aMode of access: Internet via World Wide Web. 001477562 546__ $$aIn English. 001477562 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 001477562 650_0 $$aFrench poetry$$y19th century$$xHistory and criticism. 001477562 650_0 $$aFrench poetry$$y20th century$$xHistory and criticism. 001477562 650_0 $$aMotion pictures and literature$$zFrance. 001477562 650_0 $$aMotion pictures in literature. 001477562 650_4 $$aCinema & Media Studies. 001477562 650_4 $$aLiterary Studies. 001477562 650_7 $$aLITERARY CRITICISM / European / French.$$2bisacsh 001477562 653__ $$aAndré Breton. 001477562 653__ $$aCharles Chaplin. 001477562 653__ $$aJean Epstein. 001477562 653__ $$aStéphane Mallarmé. 001477562 653__ $$across media studies. 001477562 653__ $$aearly cinema. 001477562 653__ $$afilm studies. 001477562 653__ $$aliterary criticism. 001477562 653__ $$amodern French literature. 001477562 653__ $$apoetry. 001477562 655_0 $$aElectronic books 001477562 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press Complete eBook-Package Pre-2014$$z9783111189604 001477562 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press eBook-Package Backlist 2000-2013$$z9783110707298 001477562 852__ $$bebk 001477562 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823245512$$zOnline Access 001477562 909CO $$ooai:library.usi.edu:1477562$$pGLOBAL_SET 001477562 912__ $$a978-3-11-070729-8 Fordham University Press eBook-Package Backlist 2000-2013$$c2000$$d2013 001477562 912__ $$a978-3-11-118960-4 Fordham University Press Complete eBook-Package Pre-2014$$b2014 001477562 912__ $$aEBA_BACKALL 001477562 912__ $$aEBA_CL_LT 001477562 912__ $$aEBA_EBACKALL 001477562 912__ $$aEBA_EBKALL 001477562 912__ $$aEBA_ECL_LT 001477562 912__ $$aEBA_EEBKALL 001477562 912__ $$aEBA_ESSHALL 001477562 912__ $$aEBA_PPALL 001477562 912__ $$aEBA_SSHALL 001477562 912__ $$aGBV-deGruyter-alles 001477562 912__ $$aPDA11SSHE 001477562 912__ $$aPDA13ENGE 001477562 912__ $$aPDA17SSHEE 001477562 912__ $$aPDA5EBK 001477562 980__ $$aBIB 001477562 980__ $$aEBOOK 001477562 982__ $$aEbook 001477562 983__ $$aOnline