Frontmatter
Contents
Acknowledgments
Introduction
Part one. Mediality, Digitality, Subjectivity
Chapter one. Medium, Reflexivity, and the Economy of the Self
Chapter two. Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph
Chapter three. What If Foucault Had Had a Blog?
Chapter four. Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age
Part two. Digital Reflexivities: Prose, Poetry, Code
Chapter five. Intermediation: The Pursuit of a Vision
Chapter six. Net.art: Dysfunctionality and Self-Reflexivity
Chapter seven.Moving (the) Text. From Print to Digital
Chapter eight. Technology Made Legible: Software as a Form of Writing in Software Engineering
Part three. Intermedial Reflexivities Film, Writing, Script
Chapter nine. Cinema as a Digest of Literature A Cure for Adaptation Fever
Chapter ten. Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon
Chapter eleven. Novelizing Tati
Chapter twelve. Copycat-and-Mouse: The Printed Screenplay and the Literary Field in France
Part four. New Literacies, Education, and Accessibility
Chapter thirteen. The New Literacies Technology and Cultural Form
Chapter fourteen. Visibility, Blogging, and the Construction of Subjectivity in Educational Spaces
Chapter fifteen. The Singularity of New Media
Notes
Bibliography
Contributors
Index