001477725 000__ 07695nam\a22009735i\4500 001477725 001__ 1477725 001477725 003__ DE-B1597 001477725 005__ 20231026034825.0 001477725 006__ m\\\\\o\\d\\\\\\\\ 001477725 007__ cr\un\nnnunnun 001477725 008__ 230103t20222013nyu\\\\\o\\d\z\\\\\\eng\d 001477725 020__ $$a9780823291052 001477725 0247_ $$a10.1515/9780823291052$$2doi 001477725 035__ $$a(DE-B1597)566077 001477725 035__ $$a(OCoLC)1306540618 001477725 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001477725 0410_ $$aeng 001477725 044__ $$anyu$$cUS-NY 001477725 072_7 $$aLIT004130$$2bisacsh 001477725 24500 $$aBetween Page and Screen :$$bRemaking Literature Through Cinema and Cyberspace /$$ced. by Kiene Brillenburg Wurth. 001477725 264_1 $$aNew York, NY : $$bFordham University Press, $$c[2022] 001477725 264_4 $$c©2013 001477725 300__ $$a1 online resource (352 p.) :$$b5 Illustrations, black and white 001477725 336__ $$atext$$btxt$$2rdacontent 001477725 337__ $$acomputer$$bc$$2rdamedia 001477725 338__ $$aonline resource$$bcr$$2rdacarrier 001477725 347__ $$atext file$$bPDF$$2rda 001477725 4900_ $$aVerbal Arts: Studies in Poetics 001477725 50500 $$tFrontmatter -- $$tContents -- $$tAcknowledgments -- $$tIntroduction -- $$tPart one. Mediality, Digitality, Subjectivity -- $$tChapter one. Medium, Reflexivity, and the Economy of the Self -- $$tChapter two. Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph -- $$tChapter three. What If Foucault Had Had a Blog? -- $$tChapter four. Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age -- $$tPart two. Digital Reflexivities: Prose, Poetry, Code -- $$tChapter five. Intermediation: The Pursuit of a Vision -- $$tChapter six. Net.art: Dysfunctionality and Self-Reflexivity -- $$tChapter seven.Moving (the) Text. From Print to Digital -- $$tChapter eight. Technology Made Legible: Software as a Form of Writing in Software Engineering -- $$tPart three. Intermedial Reflexivities Film, Writing, Script -- $$tChapter nine. Cinema as a Digest of Literature A Cure for Adaptation Fever -- $$tChapter ten. Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon -- $$tChapter eleven. Novelizing Tati -- $$tChapter twelve. Copycat-and-Mouse: The Printed Screenplay and the Literary Field in France -- $$tPart four. New Literacies, Education, and Accessibility -- $$tChapter thirteen. The New Literacies Technology and Cultural Form -- $$tChapter fourteen. Visibility, Blogging, and the Construction of Subjectivity in Educational Spaces -- $$tChapter fifteen. The Singularity of New Media -- $$tNotes -- $$tBibliography -- $$tContributors -- $$tIndex 001477725 506__ $$aAccess limited to authorized users. 001477725 520__ $$aSince the earlier twentieth century, literary genres have traveled across magnetic, wireless, and electronic planes. Literature may now be anything from acoustic poetry and oral performance to verbal-visual constellations in print and on screen, cinematic narratives, or electronic textualities that range from hypertext to Flash. New technologies have left their imprint on literature as a paper-based medium, and vice versa. This volume explores the interactions between literature and screenbased media over the past three decades. How has literature turned to screen, how have screens undone the tyranny of the page as a medium of literature, and how have screens affected the page in literary writing? This volume answers these questions by uniquely integrating perspectives from digital literary studies, on the one hand, and film and literature studies, on the other. "Page" and "screen" are familiar catchwords in both digital literary studies and film and literature studies. The contributors reassess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium in fact reinvigorates the book and the page as literary media, rather than signaling their impending death. While previous studies in this field have been restricted to the digitization of literature alone, this volume shows the continuing relevance of film as a cultural medium for contemporary literature. Its integrative approach allows readers to situate current shifts within the literary field in a wider, long-term perspective. 001477725 538__ $$aMode of access: Internet via World Wide Web. 001477725 546__ $$aIn English. 001477725 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 001477725 650_7 $$aLITERARY CRITICISM / European / General.$$2bisacsh 001477725 655_0 $$aElectronic books 001477725 7001_ $$aAdler, Anthony Curtis, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aAzcárate, Asuncíon Lóez-Varela, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aBaetens, Jan, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aEngelberts, Matthijs, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aFrabetti, Federica, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aGrmusa, Lovorka Gruic, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aHall, Gary, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aHayles, N. Katherine, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aRyan, Marie-Laure, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aSándor, Katalin, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aUricchio, William, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aVerstraten, Peter, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aWeber, Samuel, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aWurth, Kiene Brillenburg, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 7001_ $$aWurth, Kiene Brillenburg, $$eeditor.$$4edt$$4http://id.loc.gov/vocabulary/relators/edt 001477725 7001_ $$aZylinska, Joanna, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477725 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press Complete eBook-Package Pre-2014$$z9783111189604 001477725 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press eBook-Package Backlist 2000-2013$$z9783110707298 001477725 7760_ $$cprint$$z9780823239061 001477725 852__ $$bebk 001477725 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823291052$$zOnline Access 001477725 909CO $$ooai:library.usi.edu:1477725$$pGLOBAL_SET 001477725 912__ $$a978-3-11-070729-8 Fordham University Press eBook-Package Backlist 2000-2013$$c2000$$d2013 001477725 912__ $$a978-3-11-118960-4 Fordham University Press Complete eBook-Package Pre-2014$$b2014 001477725 912__ $$aEBA_BACKALL 001477725 912__ $$aEBA_CL_LT 001477725 912__ $$aEBA_EBACKALL 001477725 912__ $$aEBA_EBKALL 001477725 912__ $$aEBA_ECL_LT 001477725 912__ $$aEBA_EEBKALL 001477725 912__ $$aEBA_ESSHALL 001477725 912__ $$aEBA_PPALL 001477725 912__ $$aEBA_SSHALL 001477725 912__ $$aGBV-deGruyter-alles 001477725 912__ $$aPDA11SSHE 001477725 912__ $$aPDA13ENGE 001477725 912__ $$aPDA17SSHEE 001477725 912__ $$aPDA5EBK 001477725 980__ $$aBIB 001477725 980__ $$aEBOOK 001477725 982__ $$aEbook 001477725 983__ $$aOnline