001477740 000__ 05574nam\a22008055i\4500 001477740 001__ 1477740 001477740 003__ DE-B1597 001477740 005__ 20231026034826.0 001477740 006__ m\\\\\o\\d\\\\\\\\ 001477740 007__ cr\un\nnnunnun 001477740 008__ 230103t20222009nyu\\\\\o\\d\z\\\\\\eng\d 001477740 020__ $$a9780823291205 001477740 0247_ $$a10.1515/9780823291205$$2doi 001477740 035__ $$a(DE-B1597)565895 001477740 035__ $$a(OCoLC)1306539347 001477740 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001477740 0410_ $$aeng 001477740 044__ $$anyu$$cUS-NY 001477740 072_7 $$aLIT003000$$2bisacsh 001477740 1001_ $$aCornell, Drucilla, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001477740 24510 $$aClint Eastwood and Issues of American Masculinity /$$cDrucilla Cornell. 001477740 264_1 $$aNew York, NY : $$bFordham University Press, $$c[2022] 001477740 264_4 $$c©2009 001477740 300__ $$a1 online resource (232 p.) 001477740 336__ $$atext$$btxt$$2rdacontent 001477740 337__ $$acomputer$$bc$$2rdamedia 001477740 338__ $$aonline resource$$bcr$$2rdacarrier 001477740 347__ $$atext file$$bPDF$$2rda 001477740 50500 $$tFrontmatter -- $$tContents -- $$tPreface -- $$tAcknowledgments -- $$tIntroduction: Shooting Eastwood -- $$t1 Writing the Showdown: What's Left Behind When the Sun Goes Down -- $$t2 Dancing with the Double: Reaching Out from the Darkness Within -- $$t3 Ties That Bind: The Legacy of a Mother's Love -- $$t4 Psychic Scars: Transformative Relationships and Moral Repair -- $$t5 Parables of Revenge and Masculinity in Mystic River -- $$t6 Militarized Manhood: Shattered Images and the Trauma of War -- $$t7 Shades of Recognition: Privilege, Dignity, and the Hubris of White Masculinity -- $$tConclusion: The Last Take -- $$tNotes -- $$tFilmography: Clint Eastwood as Director -- $$tIndex 001477740 506__ $$aAccess limited to authorized users. 001477740 520__ $$aIn this risk-taking book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical "man's man" to pushing the boundaries of the very genres-the Western, the police thriller, the war or boxing movie-most associated with American masculinity. Cornell's highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions "What is it to be a good man?" and "What is it to be, not just an ethical person, but specifically an ethical man?" Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life's work. In her fresh and revealing readings of the films, Cornell takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war-perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man. Cornell discusses films from across Eastwood's career, from his directorial debut with Play Misty for Me to Million Dollar Baby. Cornell's book is not a traditional book of film criticism or a cinematographic biography. Rather, it is a work of social commentary and ethical philosophy. In a world in which we seem to be losing our grip on shared symbols, along with community itself, Eastwood's films work with the fragmented symbols that remain to us in order to engage masculinity with the most profound moral and ethical issues facing us today. 001477740 538__ $$aMode of access: Internet via World Wide Web. 001477740 546__ $$aIn English. 001477740 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 001477740 650_7 $$aLITERARY CRITICISM / Feminist.$$2bisacsh 001477740 655_0 $$aElectronic books 001477740 7001_ $$aBerkowitz, Roger, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477740 7001_ $$aCornell, Drucilla, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001477740 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press Complete eBook-Package Pre-2014$$z9783111189604 001477740 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press eBook-Package Backlist 2000-2013$$z9783110707298 001477740 7760_ $$cprint$$z9780823230136 001477740 852__ $$bebk 001477740 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823291205$$zOnline Access 001477740 909CO $$ooai:library.usi.edu:1477740$$pGLOBAL_SET 001477740 912__ $$a978-3-11-070729-8 Fordham University Press eBook-Package Backlist 2000-2013$$c2000$$d2013 001477740 912__ $$a978-3-11-118960-4 Fordham University Press Complete eBook-Package Pre-2014$$b2014 001477740 912__ $$aEBA_BACKALL 001477740 912__ $$aEBA_CL_LT 001477740 912__ $$aEBA_EBACKALL 001477740 912__ $$aEBA_EBKALL 001477740 912__ $$aEBA_ECL_LT 001477740 912__ $$aEBA_EEBKALL 001477740 912__ $$aEBA_ESSHALL 001477740 912__ $$aEBA_PPALL 001477740 912__ $$aEBA_SSHALL 001477740 912__ $$aGBV-deGruyter-alles 001477740 912__ $$aPDA11SSHE 001477740 912__ $$aPDA13ENGE 001477740 912__ $$aPDA17SSHEE 001477740 912__ $$aPDA5EBK 001477740 980__ $$aBIB 001477740 980__ $$aEBOOK 001477740 982__ $$aEbook 001477740 983__ $$aOnline