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001477844 1001_ $$aNancy, Jean-Luc, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut
001477844 24510 $$aNoli me tangere :$$bOn the Raising of the Body /$$cJean-Luc Nancy.
001477844 264_1 $$aNew York, NY : $$bFordham University Press, $$c[2022]
001477844 264_4 $$c©2008
001477844 300__ $$a1 online resource (128 p.) :$$b8 Illustrations, black and white
001477844 336__ $$atext$$btxt$$2rdacontent
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001477844 4900_ $$aPerspectives in Continental Philosophy
001477844 50500 $$tFrontmatter -- $$tContents -- $$tIllustrations -- $$tNoli me tangere -- $$tMary, Magdalene -- $$tIn Heaven and on Earth -- $$tAppendix-Works Depicting Noli me tangere -- $$tNotes
001477844 506__ $$aAccess limited to authorized users.
001477844 520__ $$aChristian parables have retained their force well beyond the sphere of religion; indeed, they share with much of modern literature their status as a form of address: "Who hath ears to hear, let him hear." There is no message without there first being-or, more subtly, without there also being in the message itself-an address to a capacity or an aptitude for listening. This is not an exhortation of the kind "Pay attention!" Rather, it is a warning: if you do not understand, the message will go away. The scene in the Gospel of John in which the newly risen Christ enjoins the Magdalene, "Noli me tangere," a key moment in the general parable made up of his life, is a particularly good example of this sudden appearance in which a vanishing plays itself out. Resurrected, he speaks, makes an appeal, and leaves. "Do not touch me." Beyond the Christ story, this everyday phrase says something important about touching in general. It points to the place where touching must not touch in order to carry out its touch (its art, its tact, its grace). The title essay of this volume is both a contribution to Nancy's project of a "deconstruction of Christianity" and an exemplum of his remarkable writings on art, in analyses of "Noli me tangere" paintings by such painters as Rembrandt, Dürer, Titian, Pontormo, Bronzino, and Correggio. It is also in tacit dialogue with Jacques Derrida's monumental tribute to Nancy's work in Le toucher-Jean-Luc Nancy. For the English-language edition, Nancy has added an unpublished essay on the Magdalene and the English translation of "In Heaven and on the Earth," a remarkable lecture he gave in a series designed to address children between six and twelve years of age. Closely aligned with his entire project of "the deconstruction of Christianity,'" this lecture may give the most accesible account of his ideas about God.
001477844 538__ $$aMode of access: Internet via World Wide Web.
001477844 546__ $$aIn English.
001477844 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
001477844 650_7 $$aPHILOSOPHY / Aesthetics.$$2bisacsh
001477844 655_0 $$aElectronic books
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001477844 7760_ $$cprint$$z9780823228904
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