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Frontmatter
Contents
Introduction
Part I Time, Love, Sex, and Death
1. Sites of Death as Sites of Interaction in Donne and Shakespeare
2. "Nothing like the Sun": Transcending Time and Change in Donne's Love Lyrics and Shakespeare's Plays
3. "None Do Slacken, None Can Die": Die Puns and Embodied Time in Donne and Shakespeare
Part II Moral, Public, and Spatial Imaginaries
4. Donne, Shakespeare, and the Interrogative Conscience
5. Mapping the Celestial in Shakespeare's Tempest and the Writings of John Donne
Part III Names, Puns, and More
6. Inserting Me: Some Instances of Predication and the Privation of the Private Self in Shakespeare and Donne
Improper Nouns: A Response to Marshall Grossman
7. Aspects, Physiognomy, and the Pun: A Reading of Sonnet 135 and "A Valediction: Of Weeping"
Part IV Realms of Privacy and Imagination
8. Fantasies of Private Language in "The Phoenix and Turtle" and "The Ecstasy"
9. Working Imagination in the Early Modern Period: Donne's Secular and Religious Lyrics and Shakespeare's Hamlet, Macbeth, and Leontes
Notes
Contributors
Index

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