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Table of Contents
Frontmatter
Contents
Acknowledgments
Introduction: A Phenomenological Approach to Allegory
1 Face Off : The Allegorical Image and Aesthetics
2 A Phenomenological Reduction: Allegory in Prudentius' Psychomachia
3 The Changing Faces of Allegory: Dante and Spenser
4 The Allegorical Structure of Phenomenology of Spirit
5 Reconsidering Allegory and Symbol: Benjamin and Goethe
6 Allegory as Metonymy: The Figure without a Face
Notes
Bibliography
Index
Contents
Acknowledgments
Introduction: A Phenomenological Approach to Allegory
1 Face Off : The Allegorical Image and Aesthetics
2 A Phenomenological Reduction: Allegory in Prudentius' Psychomachia
3 The Changing Faces of Allegory: Dante and Spenser
4 The Allegorical Structure of Phenomenology of Spirit
5 Reconsidering Allegory and Symbol: Benjamin and Goethe
6 Allegory as Metonymy: The Figure without a Face
Notes
Bibliography
Index