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001477887 072_7 $$aLIT004130$$2bisacsh
001477887 1001_ $$aMachosky, Brenda, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut
001477887 24510 $$aStructures of Appearing :$$bAllegory and the Work of Literature /$$cBrenda Machosky.
001477887 264_1 $$aNew York, NY : $$bFordham University Press, $$c[2022]
001477887 264_4 $$c©2013
001477887 300__ $$a1 online resource (272 p.)
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001477887 50500 $$tFrontmatter -- $$tContents -- $$tAcknowledgments -- $$tIntroduction: A Phenomenological Approach to Allegory -- $$t1 Face Off : The Allegorical Image and Aesthetics -- $$t2 A Phenomenological Reduction: Allegory in Prudentius' Psychomachia -- $$t3 The Changing Faces of Allegory: Dante and Spenser -- $$t4 The Allegorical Structure of Phenomenology of Spirit -- $$t5 Reconsidering Allegory and Symbol: Benjamin and Goethe -- $$t6 Allegory as Metonymy: The Figure without a Face -- $$tNotes -- $$tBibliography -- $$tIndex
001477887 506__ $$aAccess limited to authorized users.
001477887 520__ $$aTaking a phenomenological approach to allegory, Structures of Appearing seeks to revise the history of aesthetics, identifying it is an ideology that has long subjugated art to philosophical criteria of judgment. Rather than being a mere signifying device, allegory is the structure by which something appears that cannot otherwise appear. It thus supports the appearance and necessary experience of philosophical ideas that are otherwise impossible to present or represent. Allegory is as central to philosophy as it is to literature. Following suggestions by Walter Benjamin, Machosky argues that allegory itself must appear allegorically and thus cannot be forced into a logos-centric metaphysical system. She builds on the work of Maurice Blanchot and Emmanuel Levinas to argue that the allegorical image is not a likeness to anything, not a subjective reflection, but an absolute otherness that becomes accessible by virtue of its unique structure. Allegory thus makes possible not merely the textual work of literature but the work that literature is. Machosky develops this insight in readings of Prudentius, Dante, Spenser, Hegel, Goethe, and Kafka.
001477887 538__ $$aMode of access: Internet via World Wide Web.
001477887 546__ $$aIn English.
001477887 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
001477887 650_7 $$aLITERARY CRITICISM / European / General.$$2bisacsh
001477887 655_0 $$aElectronic books
001477887 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press Complete eBook-Package Pre-2014$$z9783111189604
001477887 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press eBook-Package Backlist 2000-2013$$z9783110707298
001477887 7760_ $$cprint$$z9780823242849
001477887 852__ $$bebk
001477887 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823292653$$zOnline Access 
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001477887 912__ $$a978-3-11-118960-4  Fordham University Press Complete eBook-Package Pre-2014$$b2014
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