TY  - GEN
N2  - From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors "e themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms.
DO  - 10.1515/9780823295265
DO  - doi
AB  - From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors "e themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms.
T1  - Charms that Soothe :Classical Music and the Narrative Film /
AU  - Duncan, Dean, 
JF  - Fordham University Press Complete eBook-Package Pre-2014
JF  - Fordham University Press eBook-Package Backlist 2000-2013
LA  - eng
LA  - In English.
ID  - 1478011
KW  - MUSIC / Genres & Styles / Classical.
SN  - 9780823295265
TI  - Charms that Soothe :Classical Music and the Narrative Film /
LK  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823295265
UR  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823295265
ER  -