Dante For the New Millennium / ed. by H. Wayne Storey, Teodolinda Barolini.
Ahern, John, contributor.; Ascoli, Albert Russell, contributor.; Baranski, Zygmunt G, contributor.; Barolini, Teodolinda, contributor.; Barolini, Teodolinda, editor.; Boitani, Piero, contributor.; Botterill, Steven, contributor.; Carugati, Giuliana, contributor.; Cestaro, Gary P., contributor.; Cornish, Alison, contributor.; Durling, Robert M, contributor.; Gorni, Guglielmo, contributor.; Gragnolati, Manuele, contributor.; Hawkins, Peter S., contributor.; Herzman, Ronald, contributor.; Iannucci, Amilcare A, contributor.; Jacoff, Rachel, contributor.; Kleinhenz, Christopher, contributor.; Levenstein, Jessica, contributor.; Martinez, Ronald L., contributor.; Mazzotta, Giuseppe, contributor.; Noakes, Susan, contributor.; Pertile, Lino, contributor.; Picone, Michelangelo, contributor.; Regina Psaki, F, contributor.; Storey, H. Wayne, editor.; Wallace, David, contributor.; Wayne Storey, H., contributor.
2022
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Title Dante For the New Millennium / ed. by H. Wayne Storey, Teodolinda Barolini.
ISBN 9780823295357
DOI https://doi.org/10.1515/9780823295357
Published New York, NY : Fordham University Press, [2022]
Copyright ©2004
Language English
Language Note In English.
Description 1 online resource (498 p.)
Other Standard Identifiers 10.1515/9780823295357 doi
Summary The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world's great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why-and how-do we read Dante in today's global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante's texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.
Access Note Access limited to authorized users.
System Details Note Mode of access: Internet via World Wide Web.
Digital File Characteristics text file PDF
Source of Description Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
Added Author Ahern, John, contributor.
Ascoli, Albert Russell, contributor.
Baranski, Zygmunt G, contributor.
Barolini, Teodolinda, contributor.
Barolini, Teodolinda, editor.
Boitani, Piero, contributor.
Botterill, Steven, contributor.
Carugati, Giuliana, contributor.
Cestaro, Gary P., contributor.
Cornish, Alison, contributor.
Durling, Robert M, contributor.
Gorni, Guglielmo, contributor.
Gragnolati, Manuele, contributor.
Hawkins, Peter S., contributor.
Herzman, Ronald, contributor.
Iannucci, Amilcare A, contributor.
Jacoff, Rachel, contributor.
Kleinhenz, Christopher, contributor.
Levenstein, Jessica, contributor.
Martinez, Ronald L., contributor.
Mazzotta, Giuseppe, contributor.
Noakes, Susan, contributor.
Pertile, Lino, contributor.
Picone, Michelangelo, contributor.
Regina Psaki, F, contributor.
Storey, H. Wayne, editor.
Wallace, David, contributor.
Wayne Storey, H., contributor.
Series Fordham Series in Medieval Studies
In Fordham University Press Complete eBook-Package Pre-2014
Fordham University Press eBook-Package Backlist 2000-2013
Linked Resources Online Access
Record Appears in Online Resources > Ebooks
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Frontmatter
CONTENTS
INTRODUCTION
NOTES FOR AN INTRODUCTION
ABBREVIATIONS
I PHILOLOGIES
1. What Did the First Copies of the Comedy Look Like?
2. Early Editorial Forms of Dante's Lyrics
3. Material Philology, Conjectural Philology, Philology without Adjectives
Philologies: Works Cited
II APPETITES
4. Beyond (Courtly) Dualism: Thinking about Gender in Dante's Lyrics
5. Queering Nature, Queering Gender: Dante and Sodomy
6. Does the Stilnovo Go to Heaven?
7. Love for Beatrice: Transcending Contradiction in the Paradiso
Appetites: Works Cited
III PHILOSOPHIES
8. Mysticism and Meaning in Dante's Paradiso
9. The Heaven of the Sun: Dante between Aquinas and Bonaventure
10. Vulgarizing Science: Vernacular Translation of Natural Philosophy
11. The Body and the Flesh in the Purgatorio
12. From Plurality to (Near) Unicity of Forms: Embryology in Purgatorio 25
13. Quando amor fa sentir de Ia sua pace
Philosophies: Works Cited
IV RECEPTION
14. Virility, Nobility, and Banking: The Crossing of Discourses in the Tenzone with Forese
15. Scatology and Obscenity in Dante
16. On Dante and the Visual Arts
Reception: Works Cited
V HISTORIES
17. Dante's Jeremiads: The Fall of Jerusalem and the Burden of the New Pharisees, the Capetians, and Florence
18. From Francis to Solomon: Eschatology in the Sun
19. Already and Not Yet: Dante's Existential Eschatology
20. Dante after Dante
Histories: Works Cited
VI REWRITINGS
21. Ovid and the Exul Inmeritus
22. The Re-Formation of Marsyas in Paradiso 1
23. Dante in England
24. Moby-Dante?
25. Still Here: Dante after Modernism
Rewritings: Works Cited
Notes on Contributors
Index

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