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Frontmatter
Contents
FOREWORD
PREFACE
I CARVED WOODEN SPECTACLES: the vision of Flannery O'Connor
II HULGA'S WOODEN LEG: the creation of a false self
III THE "NEW JESUS": alienated modern man
IV THE BLACK PROCESSION: death in the context of history
V THE "ARTIFICIAL NIGGER": the numinous quality of reality
VI THE TATTOOED CHRIST: a prophet's view of reality
NOTES
BIBLIOGRAPHY
INDEX

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