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Table of Contents
Frontmatter
CONTENTS
INTRODUCTION
1 Robinson Jeffers: Poet of Carmel-Sur
2 In the Poet's Lifetime
3 Robinson Jeffers and the Uses of History
4 Telling the Past and Living the Present: "Thurso's Landing" and the Epic Tradition
5 Jeffers's "Roan Stallion" and the Narrative of Nature
6 "Divinely Superfluous Beauty": Robinson Jeffers's Versecraft of the Sublime
7 Robinson Jeffers and the Female Archetype
8 Desire, Death, and Domesticity in Jeffers's Pastorals of Apocalypse
9 Nature and the Symbolic Order: The Dialogue Between Czeslaw Milosz and Robinson Jeffers
10 All Flesh Is Grass
A Review of Jeffers Scholarship
Works by Robinson Jeffers: A Chronological Listing
Contributors
CONTENTS
INTRODUCTION
1 Robinson Jeffers: Poet of Carmel-Sur
2 In the Poet's Lifetime
3 Robinson Jeffers and the Uses of History
4 Telling the Past and Living the Present: "Thurso's Landing" and the Epic Tradition
5 Jeffers's "Roan Stallion" and the Narrative of Nature
6 "Divinely Superfluous Beauty": Robinson Jeffers's Versecraft of the Sublime
7 Robinson Jeffers and the Female Archetype
8 Desire, Death, and Domesticity in Jeffers's Pastorals of Apocalypse
9 Nature and the Symbolic Order: The Dialogue Between Czeslaw Milosz and Robinson Jeffers
10 All Flesh Is Grass
A Review of Jeffers Scholarship
Works by Robinson Jeffers: A Chronological Listing
Contributors