001478658 000__ 05481nam\a22008295i\4500 001478658 001__ 1478658 001478658 003__ DE-B1597 001478658 005__ 20231026034950.0 001478658 006__ m\\\\\o\\d\\\\\\\\ 001478658 007__ cr\un\nnnunnun 001478658 008__ 221201t20042004mau\\\\\o\\d\z\\\\\\eng\d 001478658 020__ $$a9780674042162 001478658 0247_ $$a10.4159/9780674042162$$2doi 001478658 035__ $$a(DE-B1597)583422 001478658 035__ $$a(OCoLC)1294426152 001478658 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001478658 0410_ $$aeng 001478658 044__ $$amau$$cUS-MA 001478658 072_7 $$aMUS013000$$2bisacsh 001478658 08204 $$a786.7419$$222 001478658 1001_ $$aPinch, Trevor, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001478658 24510 $$aAnalog Days :$$bThe Invention and Impact of the Moog Synthesizer /$$cFrank Trocco, Trevor Pinch. 001478658 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2004] 001478658 264_4 $$c©2004 001478658 300__ $$a1 online resource (384 p.) 001478658 336__ $$atext$$btxt$$2rdacontent 001478658 337__ $$acomputer$$bc$$2rdamedia 001478658 338__ $$aonline resource$$bcr$$2rdacarrier 001478658 347__ $$atext file$$bPDF$$2rda 001478658 50500 $$tFrontmatter -- $$tForeword -- $$tContents -- $$tPreface -- $$tIntroduction: Sculpting Sound -- $$t1 Subterranean Homesick Blues -- $$t2 Buchla's Box -- $$t3 Shaping the Synthesizer -- $$t4 The Funky Factory in Trumansburg -- $$t5 Haight-Ashbury's Psychedelic Sound -- $$t6 An Odd Couple in the Summer of Love -- $$t7 Switched-On Bach -- $$t8 In Love with a Machine -- $$t9 Music of My Mind -- $$t10 Live! -- $$t11 Hard-Wired-the Minimoog -- $$t12 Inventing the Market -- $$t13 Close Encounters with the ARP -- $$t14 From Daleks to the Dark Side of the Moon -- $$tConclusion: Performance -- $$tDiscography -- $$tSources -- $$tNotes -- $$tIllustration Credits -- $$tGlossary -- $$tIndex 001478658 506__ $$aAccess limited to authorized users. 001478658 520__ $$aThough ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture. The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history. 001478658 538__ $$aMode of access: Internet via World Wide Web. 001478658 546__ $$aIn English. 001478658 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 001478658 650_0 $$aMoog synthesizer. 001478658 650_7 $$aMUSIC / Genres & Styles / Electronic.$$2bisacsh 001478658 655_0 $$aElectronic books 001478658 7001_ $$aMoog, Robert, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001478658 7001_ $$aPinch, Trevor, $$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001478658 7001_ $$aTrocco, Frank, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001478658 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP eBook Package Archive 1893-1999$$z9783110442212 001478658 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press eBook Package Backlist 2000-2013$$z9783110442205 001478658 852__ $$bebk 001478658 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674042162$$zOnline Access 001478658 909CO $$ooai:library.usi.edu:1478658$$pGLOBAL_SET 001478658 912__ $$a978-3-11-044220-5 Harvard University Press eBook Package Backlist 2000-2013$$c2000$$d2013 001478658 912__ $$a978-3-11-044221-2 HUP eBook Package Archive 1893-1999$$c1893$$d1999 001478658 912__ $$aEBA_BACKALL 001478658 912__ $$aEBA_CL_MUAR 001478658 912__ $$aEBA_EBACKALL 001478658 912__ $$aEBA_EBKALL 001478658 912__ $$aEBA_ECL_MUAR 001478658 912__ $$aEBA_EEBKALL 001478658 912__ $$aEBA_ESSHALL 001478658 912__ $$aEBA_PPALL 001478658 912__ $$aEBA_SSHALL 001478658 912__ $$aGBV-deGruyter-alles 001478658 912__ $$aPDA11SSHE 001478658 912__ $$aPDA13ENGE 001478658 912__ $$aPDA17SSHEE 001478658 912__ $$aPDA5EBK 001478658 980__ $$aBIB 001478658 980__ $$aEBOOK 001478658 982__ $$aEbook 001478658 983__ $$aOnline