TY  - GEN
N2  - As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
DO  - 10.4159/9780674042834
DO  - doi
AB  - As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
T1  - The Virtual Life of Film /
AU  - Rodowick, D. N., 
JF  - HUP eBook-Package Backlist 2000-2013 (Canada)
JF  - Harvard University Press eBook Package Backlist 2000-2013
CN  - TR267
LA  - eng
LA  - In English.
ID  - 1478685
KW  - Digital cinematography.
KW  - Photography
KW  - PERFORMING ARTS / Film & Video / History & Criticism.
SN  - 9780674042834
TI  - The Virtual Life of Film /
LK  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674042834
UR  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674042834
ER  -