001478685 000__ 03822nam\a22008655i\4500 001478685 001__ 1478685 001478685 003__ DE-B1597 001478685 005__ 20231026034951.0 001478685 006__ m\\\\\o\\d\\\\\\\\ 001478685 007__ cr\un\nnnunnun 001478685 008__ 210830t20092007mau\\\\\o\\d\z\\\\\\eng\d 001478685 019__ $$a(OCoLC)1013942603 001478685 019__ $$a(OCoLC)979969641 001478685 020__ $$a9780674042834 001478685 0247_ $$a10.4159/9780674042834$$2doi 001478685 035__ $$a(DE-B1597)457749 001478685 035__ $$a(OCoLC)456278859 001478685 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001478685 0410_ $$aeng 001478685 044__ $$amau$$cUS-MA 001478685 050_4 $$aTR267$$b.R64 2007eb 001478685 072_7 $$aPER004030$$2bisacsh 001478685 08204 $$a778.5/3$$222 001478685 1001_ $$aRodowick, D. N., $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001478685 24514 $$aThe Virtual Life of Film /$$cD. N. Rodowick. 001478685 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2009] 001478685 264_4 $$c©2007 001478685 300__ $$a1 online resource (216 p.) 001478685 336__ $$atext$$btxt$$2rdacontent 001478685 337__ $$acomputer$$bc$$2rdamedia 001478685 338__ $$aonline resource$$bcr$$2rdacarrier 001478685 347__ $$atext file$$bPDF$$2rda 001478685 50500 $$tFrontmatter -- $$tPreface -- $$tContents -- $$tIllustrations -- $$tI. The virtual life of film -- $$tII. What was cinema? -- $$tIII. A new landscape (without image) -- $$tAcknowledgments 001478685 506__ $$aAccess limited to authorized users. 001478685 520__ $$aAs almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century. 001478685 538__ $$aMode of access: Internet via World Wide Web. 001478685 546__ $$aIn English. 001478685 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 001478685 650_0 $$aDigital cinematography. 001478685 650_0 $$aPhotography$$xDigital techniques. 001478685 650_7 $$aPERFORMING ARTS / Film & Video / History & Criticism.$$2bisacsh 001478685 655_0 $$aElectronic books 001478685 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP eBook-Package Backlist 2000-2013 (Canada)$$z9783110756067 001478685 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press eBook Package Backlist 2000-2013$$z9783110442205 001478685 852__ $$bebk 001478685 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674042834$$zOnline Access 001478685 909CO $$ooai:library.usi.edu:1478685$$pGLOBAL_SET 001478685 912__ $$a978-3-11-044220-5 Harvard University Press eBook Package Backlist 2000-2013$$c2000$$d2013 001478685 912__ $$a978-3-11-075606-7 HUP eBook-Package Backlist 2000-2013 (Canada)$$b2013 001478685 912__ $$aEBA_BACKALL 001478685 912__ $$aEBA_CL_MUAR 001478685 912__ $$aEBA_EBACKALL 001478685 912__ $$aEBA_EBKALL 001478685 912__ $$aEBA_ECL_MUAR 001478685 912__ $$aEBA_EEBKALL 001478685 912__ $$aEBA_ESSHALL 001478685 912__ $$aEBA_PPALL 001478685 912__ $$aEBA_SSHALL 001478685 912__ $$aEBA_STMALL 001478685 912__ $$aGBV-deGruyter-alles 001478685 912__ $$aPDA11SSHE 001478685 912__ $$aPDA12STME 001478685 912__ $$aPDA13ENGE 001478685 912__ $$aPDA17SSHEE 001478685 912__ $$aPDA5EBK 001478685 980__ $$aBIB 001478685 980__ $$aEBOOK 001478685 982__ $$aEbook 001478685 983__ $$aOnline