001478853 000__ 04261nam\a22008775i\4500 001478853 001__ 1478853 001478853 003__ DE-B1597 001478853 005__ 20231026035000.0 001478853 006__ m\\\\\o\\d\\\\\\\\ 001478853 007__ cr\un\nnnunnun 001478853 008__ 210830t20102009mau\\\\\o\\d\z\\\\\\eng\d 001478853 019__ $$a(OCoLC)979967838 001478853 020__ $$a9780674054387 001478853 0247_ $$a10.4159/9780674054387$$2doi 001478853 035__ $$a(DE-B1597)457723 001478853 035__ $$a(OCoLC)648759718 001478853 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001478853 0410_ $$aeng 001478853 044__ $$amau$$cUS-MA 001478853 050_4 $$aHM636$$b.N65 2009eb 001478853 072_7 $$aSOC022000$$2bisacsh 001478853 08204 $$a306.4$$222 001478853 1001_ $$aNoland, Carrie, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001478853 24510 $$aAgency and Embodiment :$$bPerforming Gestures/Producing Culture /$$cCarrie Noland. 001478853 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2010] 001478853 264_4 $$c©2009 001478853 300__ $$a1 online resource (272 p.) 001478853 336__ $$atext$$btxt$$2rdacontent 001478853 337__ $$acomputer$$bc$$2rdamedia 001478853 338__ $$aonline resource$$bcr$$2rdacarrier 001478853 347__ $$atext file$$bPDF$$2rda 001478853 50500 $$tFrontmatter -- $$tContents -- $$tIntroduction -- $$tChapter One. The "Structuring" Body: Marcel Mauss and Bodily Techniques -- $$tChapter Two. Gestural Meaning: Maurice Merleau-Ponty, Bill Viola, and the Primacy of Movement -- $$tChapter Three. Inscription and Embodiment: André Leroi-Gourhan and the Body as Tool -- $$tChapter Four. Inscription as Performance: Henri Michaux and the Writing Body -- $$tChapter Five. The Gestural Performative: Locating Agency in the Work of Judith Butler and Frantz Fanon -- $$tConclusion: Illegible Graffiti -- $$tNotes -- $$tAcknowledgments -- $$tIndex 001478853 506__ $$aAccess limited to authorized users. 001478853 520__ $$aIn Agency and Embodiment, Carrie Noland examines the ways in which culture is both embodied and challenged through the corporeal performance of gestures. Arguing against the constructivist metaphor of bodily inscription dominant since Foucault, Noland maintains that kinesthetic experience, produced by acts of embodied gesturing, places pressure on the conditioning a body receives, encouraging variations in cultural practice that cannot otherwise be explained. 001478853 538__ $$aMode of access: Internet via World Wide Web. 001478853 546__ $$aIn English. 001478853 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 001478853 650_0 $$aCulture. 001478853 650_0 $$aGesture$$xSocial aspects. 001478853 650_0 $$aHuman body$$xSocial aspects. 001478853 650_0 $$aMind and body$$xSocial aspects. 001478853 650_7 $$aSOCIAL SCIENCE / Popular Culture.$$2bisacsh 001478853 655_0 $$aElectronic books 001478853 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP eBook-Package Backlist 2000-2013 (Canada)$$z9783110756067 001478853 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press eBook Package Backlist 2000-2013$$z9783110442205 001478853 852__ $$bebk 001478853 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674054387$$zOnline Access 001478853 909CO $$ooai:library.usi.edu:1478853$$pGLOBAL_SET 001478853 912__ $$a978-3-11-044220-5 Harvard University Press eBook Package Backlist 2000-2013$$c2000$$d2013 001478853 912__ $$a978-3-11-075606-7 HUP eBook-Package Backlist 2000-2013 (Canada)$$b2013 001478853 912__ $$aEBA_BACKALL 001478853 912__ $$aEBA_CL_SN 001478853 912__ $$aEBA_EBACKALL 001478853 912__ $$aEBA_EBKALL 001478853 912__ $$aEBA_ECL_SN 001478853 912__ $$aEBA_EEBKALL 001478853 912__ $$aEBA_ESSHALL 001478853 912__ $$aEBA_PPALL 001478853 912__ $$aEBA_SSHALL 001478853 912__ $$aEBA_STMALL 001478853 912__ $$aGBV-deGruyter-alles 001478853 912__ $$aPDA11SSHE 001478853 912__ $$aPDA12STME 001478853 912__ $$aPDA13ENGE 001478853 912__ $$aPDA17SSHEE 001478853 912__ $$aPDA5EBK 001478853 980__ $$aBIB 001478853 980__ $$aEBOOK 001478853 982__ $$aEbook 001478853 983__ $$aOnline