Moscow, the Fourth Rome : Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941 / Katerina Clark.
2011
DK601.2 .C55 2011eb
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Title
Moscow, the Fourth Rome : Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941 / Katerina Clark.
Author
Clark, Katerina, author.
ISBN
9780674062894
Published
Cambridge, MA : Harvard University Press, [2011]
Copyright
©2011
Language
English
Language Note
In English.
Description
1 online resource (432 p.) : 4 halftones
Other Standard Identifiers
10.4159/harvard.9780674062894 doi
Call Number
DK601.2 .C55 2011eb
Dewey Decimal Classification
947/.310842
Summary
In the early sixteenth century, the monk Filofei proclaimed Moscow the "Third Rome." By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome, Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world.Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today-transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin.
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Access limited to authorized users.
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Mode of access: Internet via World Wide Web.
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text file PDF
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Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022)
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E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2011
E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2011
E-BOOK PAKET PHILOSOPHIE UND GESCHICHTE 2011
HUP eBook-Package Backlist 2000-2013 (Canada)
Harvard University Press eBook Package Backlist 2000-2013
E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2011
E-BOOK PAKET PHILOSOPHIE UND GESCHICHTE 2011
HUP eBook-Package Backlist 2000-2013 (Canada)
Harvard University Press eBook Package Backlist 2000-2013
Available in Other Form
print 9780674057876
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Table of Contents
Frontmatter
Contents
Introduction: The Cultural Turn
Chapter 1. The Author as Producer: Cultural Revolution in Berlin and Moscow (1930-1931)
Chapter 2. Moscow, the Lettered City
Chapter 3. The Return of the Aesthetic
Chapter 4. The Traveling Mode and the Horizon of Identity
Chapter 5. "World Literature"/ "World Culture" and the Era of the Popular Front (c. 1935-1936)
Chapter 6. Face and Mask: Theatricality and Identity in the Era of the Show Trials (1936-1938)
Chapter 7. Love and Death in the Time of the Spanish Civil War (1936-1939)
Chapter 8. The Imperial Sublime
Chapter 9. The Battle over the Genres (1937-1941)
Epilogue
Notes
Acknowledgments
Index
Contents
Introduction: The Cultural Turn
Chapter 1. The Author as Producer: Cultural Revolution in Berlin and Moscow (1930-1931)
Chapter 2. Moscow, the Lettered City
Chapter 3. The Return of the Aesthetic
Chapter 4. The Traveling Mode and the Horizon of Identity
Chapter 5. "World Literature"/ "World Culture" and the Era of the Popular Front (c. 1935-1936)
Chapter 6. Face and Mask: Theatricality and Identity in the Era of the Show Trials (1936-1938)
Chapter 7. Love and Death in the Time of the Spanish Civil War (1936-1939)
Chapter 8. The Imperial Sublime
Chapter 9. The Battle over the Genres (1937-1941)
Epilogue
Notes
Acknowledgments
Index