001479104 000__ 05730nam\a22009735i\4500 001479104 001__ 1479104 001479104 003__ DE-B1597 001479104 005__ 20231026035012.0 001479104 006__ m\\\\\o\\d\\\\\\\\ 001479104 007__ cr\un\nnnunnun 001479104 008__ 210830t20122012mau\\\\\o\\d\z\\\\\\eng\d 001479104 019__ $$a(OCoLC)1013962824 001479104 019__ $$a(OCoLC)1037980081 001479104 019__ $$a(OCoLC)1041973507 001479104 019__ $$a(OCoLC)1046615487 001479104 019__ $$a(OCoLC)1047025384 001479104 019__ $$a(OCoLC)1049620296 001479104 019__ $$a(OCoLC)1054880375 001479104 020__ $$a9780674065246 001479104 0247_ $$a10.4159/harvard.9780674065246$$2doi 001479104 035__ $$a(DE-B1597)178194 001479104 035__ $$a(OCoLC)840436495 001479104 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001479104 0410_ $$aeng 001479104 044__ $$amau$$cUS-MA 001479104 072_7 $$aSOC056000$$2bisacsh 001479104 08204 $$a781.657$$221 001479104 1001_ $$aKelley, Robin D. G., $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001479104 24510 $$aAfrica Speaks, America Answers :$$bModern Jazz in Revolutionary Times /$$cRobin D. G. Kelley. 001479104 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2012] 001479104 264_4 $$c©2012 001479104 300__ $$a1 online resource (272 p.) :$$b9 halftones 001479104 336__ $$atext$$btxt$$2rdacontent 001479104 337__ $$acomputer$$bc$$2rdamedia 001479104 338__ $$aonline resource$$bcr$$2rdacarrier 001479104 347__ $$atext file$$bPDF$$2rda 001479104 4900_ $$aThe Nathan I. Huggins Lectures 001479104 50500 $$tFrontmatter -- $$tContents -- $$tPreface -- $$tPrelude -- $$t1. The Drum Wars of Guy Warren -- $$t2. The Sojourns of Randy Weston -- $$t3. Ahmed Abdul-Malik's Islamic Experimentalism -- $$t4. The Making of Sathima Bea Benjamin -- $$tCoda -- $$tNotes -- $$tFurther Listening -- $$tAcknowledgments -- $$tIndex 001479104 506__ $$aAccess limited to authorized users. 001479104 520__ $$aIn Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950s and '60s who forged connections between jazz and Africa that definitively reshaped both their music and the world.Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents.In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures. 001479104 538__ $$aMode of access: Internet via World Wide Web. 001479104 546__ $$aIn English. 001479104 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 001479104 650_7 $$aSOCIAL SCIENCE / Black Studies (Global).$$2bisacsh 001479104 655_0 $$aElectronic books 001479104 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tE-BOOK GESAMTPAKET / COMPLETE PACKAGE 2012$$z9783110288995$$oZDB-23-DGG 001479104 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tE-BOOK PACKAGE HISTORY; POLITICAL SCIENCE, SOCIOLOGY 2012$$z9783110293715 001479104 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tE-BOOK PAKET GESCHICHTE, POLITIKWISS., SOZIOLOGIE 2012$$z9783110288971$$oZDB-23-DPS 001479104 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHUP eBook-Package Backlist 2000-2013 (Canada)$$z9783110756067 001479104 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press eBook Package Backlist 2000-2013$$z9783110442205 001479104 852__ $$bebk 001479104 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674065246$$zOnline Access 001479104 909CO $$ooai:library.usi.edu:1479104$$pGLOBAL_SET 001479104 912__ $$a978-3-11-029371-5 E-BOOK PACKAGE HISTORY; POLITICAL SCIENCE, SOCIOLOGY 2012$$b2012 001479104 912__ $$a978-3-11-044220-5 Harvard University Press eBook Package Backlist 2000-2013$$c2000$$d2013 001479104 912__ $$a978-3-11-075606-7 HUP eBook-Package Backlist 2000-2013 (Canada)$$b2013 001479104 912__ $$aEBA_BACKALL 001479104 912__ $$aEBA_CL_SN 001479104 912__ $$aEBA_EBACKALL 001479104 912__ $$aEBA_EBKALL 001479104 912__ $$aEBA_ECL_SN 001479104 912__ $$aEBA_EEBKALL 001479104 912__ $$aEBA_ESSHALL 001479104 912__ $$aEBA_PPALL 001479104 912__ $$aEBA_SSHALL 001479104 912__ $$aEBA_STMALL 001479104 912__ $$aGBV-deGruyter-alles 001479104 912__ $$aPDA11SSHE 001479104 912__ $$aPDA12STME 001479104 912__ $$aPDA13ENGE 001479104 912__ $$aPDA17SSHEE 001479104 912__ $$aPDA5EBK 001479104 912__ $$aZDB-23-DGG$$b2012 001479104 912__ $$aZDB-23-DPS$$b2012 001479104 980__ $$aBIB 001479104 980__ $$aEBOOK 001479104 982__ $$aEbook 001479104 983__ $$aOnline