001479127 000__ 05509nam\a22007815i\4500 001479127 001__ 1479127 001479127 003__ DE-B1597 001479127 005__ 20231026035013.0 001479127 006__ m\\\\\o\\d\\\\\\\\ 001479127 007__ cr\un\nnnunnun 001479127 008__ 230103t20122012mau\\\\\o\\d\z\\\\\\eng\d 001479127 020__ $$a9780674065567 001479127 0247_ $$a10.4159/harvard.9780674065567$$2doi 001479127 035__ $$a(DE-B1597)178219 001479127 035__ $$a(OCoLC)979880458 001479127 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001479127 0410_ $$aeng 001479127 044__ $$amau$$cUS-MA 001479127 050_4 $$aND497.B8$$bM33 2012eb 001479127 072_7 $$aBIO001000$$2bisacsh 001479127 08204 $$a759.2$$aB$$223 001479127 1001_ $$aMacCarthy, Fiona, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001479127 24514 $$aThe Last Pre-Raphaelite :$$bEdward Burne-Jones and the Victorian Imagination /$$cFiona MacCarthy. 001479127 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2012] 001479127 264_4 $$c©2012 001479127 300__ $$a1 online resource (656 p.) :$$b24 color illustrations, 47 halftones 001479127 336__ $$atext$$btxt$$2rdacontent 001479127 337__ $$acomputer$$bc$$2rdamedia 001479127 338__ $$aonline resource$$bcr$$2rdacarrier 001479127 347__ $$atext file$$bPDF$$2rda 001479127 50500 $$tFrontmatter -- $$tContents -- $$tIllustrations -- $$tThe Burne-Jones Macdonald Family Tree -- $$tPreface -- $$tOne. Birmingham 1833-52 -- $$tTwo. Oxford 1853-5 -- $$tThree. Northern France 1855 -- $$tFour. Early London 1856-7 -- $$tFive. Little Holland House 1858 -- $$tSix. First Italian Journey 1859 -- $$tSeven. Russell Place 1860-2 -- $$tEight. Second Italian Journey 1862 -- $$tNine. Great Russell Street 1862-4 -- $$tTen. Kensington Square 1865-7 -- $$tEleven. The Grange, One 1868-71 -- $$tTwelve. Third Italian Journey 1871 -- $$tThirteen. The Grange, Two 1872 -- $$tFourteen. Fourth Italian Journey 1873 -- $$tFifteen. The Grange, Three 1874-6 -- $$tSixteen. The Grosvenor Gallery 1877-80 -- $$tSeventeen. Rottingdean, One 1881-2 -- $$tEighteen. The Grange, Four 1883 -- $$tNineteen. The Grange, Five 1884 -- $$tTwenty. Rome 1885 -- $$tTwenty-One. The Royal Academy 1885-7 -- $$tTwenty-Two. Rottingdean, Two 1888-9 -- $$tTwenty-Three. Mells 1890-3 -- $$tTwenty-Four. Kelmscott, One 1894-5 -- $$tTwenty-Five. Kelmscott, Two 1895-6 -- $$tTwenty-Six. Avalon 1897-8 -- $$tTwenty-Seven. Memorials 1898-1916 -- $$tEpilogue -- $$tSources and References -- $$tAcknowledgements -- $$tIndex 001479127 506__ $$aAccess limited to authorized users. 001479127 520__ $$aWhile still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention to enter the clergy, when he-together with Morris-vowed to throw over the Church in favor of art. In Fiona MacCarthy's riveting account of Burne-Jones's life, that exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.In MacCarthy's hands, Burne-Jones emerges as a great visionary painter, a master of mystic reverie, and a pivotal late nineteenth-century cultural and artistic figure. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan painters.Drawing on extensive research, MacCarthy offers a fresh perspective on the achievement of Burne-Jones, a precursor to the Modern, and tells the dramatic, fascinating story of this peculiarly captivating and elusive man. 001479127 538__ $$aMode of access: Internet via World Wide Web. 001479127 546__ $$aIn English. 001479127 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 001479127 650_0 $$aPre-Raphaelites$$zGreat Britain$$vBiography. 001479127 650_7 $$aBIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers.$$2bisacsh 001479127 655_0 $$aElectronic books 001479127 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press eBook Package Backlist 2000-2013$$z9783110442205 001479127 852__ $$bebk 001479127 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674065567$$zOnline Access 001479127 909CO $$ooai:library.usi.edu:1479127$$pGLOBAL_SET 001479127 912__ $$a978-3-11-044220-5 Harvard University Press eBook Package Backlist 2000-2013$$c2000$$d2013 001479127 912__ $$aEBA_BACKALL 001479127 912__ $$aEBA_CL_MUAR 001479127 912__ $$aEBA_EBACKALL 001479127 912__ $$aEBA_EBKALL 001479127 912__ $$aEBA_ECL_MUAR 001479127 912__ $$aEBA_EEBKALL 001479127 912__ $$aEBA_ESSHALL 001479127 912__ $$aEBA_PPALL 001479127 912__ $$aEBA_SSHALL 001479127 912__ $$aGBV-deGruyter-alles 001479127 912__ $$aPDA11SSHE 001479127 912__ $$aPDA13ENGE 001479127 912__ $$aPDA17SSHEE 001479127 912__ $$aPDA5EBK 001479127 980__ $$aBIB 001479127 980__ $$aEBOOK 001479127 982__ $$aEbook 001479127 983__ $$aOnline