Linked e-resources
Details
Table of Contents
Frontmatter
Contents
Abbreviations
Acknowledgments
Introduction.
Escape from Altoona
1. The Making of a Celebrity Gossip
A Columnist Is Born
Gilding Hollywood's "Golden Age"
Publicity and Right-Wing Politics
2. Readers, Respondents, and Fans
Crafting Columns, Creating Community
Reading Hopper, Writing Hedda
Hollywood Gossip as Public Sphere
3. Hopper's Wars
Prewar Isolationist to Cold Warrior
Civil Liberties in Times of War
Chasing Charlie Chaplin
4. Cold War Americanism, Hopper Style
Selling Americanism
Fighting the "Un-Americans"
5. Blacklisting Hollywood "Reds"
Establishing the Hollywood Blacklist
Hedda's Black (and Gray) List
Enforcement Efforts
6. Representing Race in the Face of Civil Rights
An Oscar for Uncle Remus
In Defense of Mammy
Presenting Poitier
7. "Family Togetherness" in Fifties Hollywood
Hopper's "Home Life and Good Citizenship"
The Sinatra Situation
The Liz-Debbie-Eddie Incident
8. Taking on "Hollywood Babylon"
A Career's End
Reporting on a Fading Hollywood System
From Old to New Right
Conclusion
Notes
Index
About the Author
Contents
Abbreviations
Acknowledgments
Introduction.
Escape from Altoona
1. The Making of a Celebrity Gossip
A Columnist Is Born
Gilding Hollywood's "Golden Age"
Publicity and Right-Wing Politics
2. Readers, Respondents, and Fans
Crafting Columns, Creating Community
Reading Hopper, Writing Hedda
Hollywood Gossip as Public Sphere
3. Hopper's Wars
Prewar Isolationist to Cold Warrior
Civil Liberties in Times of War
Chasing Charlie Chaplin
4. Cold War Americanism, Hopper Style
Selling Americanism
Fighting the "Un-Americans"
5. Blacklisting Hollywood "Reds"
Establishing the Hollywood Blacklist
Hedda's Black (and Gray) List
Enforcement Efforts
6. Representing Race in the Face of Civil Rights
An Oscar for Uncle Remus
In Defense of Mammy
Presenting Poitier
7. "Family Togetherness" in Fifties Hollywood
Hopper's "Home Life and Good Citizenship"
The Sinatra Situation
The Liz-Debbie-Eddie Incident
8. Taking on "Hollywood Babylon"
A Career's End
Reporting on a Fading Hollywood System
From Old to New Right
Conclusion
Notes
Index
About the Author