001479733 000__ 05323nam\a22009375i\4500 001479733 001__ 1479733 001479733 003__ DE-B1597 001479733 005__ 20231026035108.0 001479733 006__ m\\\\\o\\d\\\\\\\\ 001479733 007__ cr\un\nnnunnun 001479733 008__ 230918t20082008nyu\\\\\o\\d\z\\\\\\eng\d 001479733 020__ $$a9780814739167 001479733 0247_ $$a10.18574/nyu/9780814739167.001.0001$$2doi 001479733 035__ $$a(DE-B1597)547270 001479733 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001479733 0410_ $$aeng 001479733 044__ $$anyu$$cUS-NY 001479733 072_7 $$aPER010030$$2bisacsh 001479733 08204 $$a302.23/45$$222 001479733 1001_ $$aBielby, Denise D., $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut. 001479733 24510 $$aGlobal TV :$$bExporting Television and Culture in the World Market /$$cC. Lee Harrington, Denise D. Bielby. 001479733 264_1 $$aNew York, NY : : $$bNew York University Press, $$c[2008] 001479733 264_4 $$c©2008 001479733 300__ $$a1 online resource 001479733 336__ $$atext$$btxt$$2rdacontent 001479733 337__ $$acomputer$$bc$$2rdamedia 001479733 338__ $$aonline resource$$bcr$$2rdacarrier 001479733 347__ $$atext file$$bPDF$$2rda 001479733 50500 $$tFrontmatter -- $$tContents -- $$tList of Figures and Tables -- $$tAcknowledgments -- $$tPreface -- $$tIntroduction -- $$t1 The Syndication Market in U.S. Television -- $$t2 Television in the Global Market -- $$t3 The (Continued) Relevance of Genre -- $$t4 Managing Television's Cultural Properties -- $$t5 Discourses of Distribution -- $$tConclusion -- $$tMethodological Appendix -- $$tNotes -- $$tReferences -- $$tIndex -- $$tAbout the Authors 001479733 506__ $$aAccess limited to authorized users. 001479733 520__ $$aA reporter for the Los Angeles Times once noted that "I Love Lucy is said to be on the air somewhere in the world 24 hours a day." That Lucy's madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies.In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin telenovelas so easily cross borders and adapt to new cultural surroundings? Why is The Nanny, whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over?Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale. 001479733 538__ $$aMode of access: Internet via World Wide Web. 001479733 546__ $$aIn English. 001479733 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023) 001479733 650_0 $$aTelevision broadcasting$$xSocial aspects. 001479733 650_0 $$aTelevision programs$$xMarketing. 001479733 650_4 $$aPERFORMING ARTS / Television / History & Criticism$$2sh. 001479733 653__ $$aSeeks. 001479733 653__ $$aglobal. 001479733 653__ $$ahistory. 001479733 653__ $$ainner. 001479733 653__ $$amachinery. 001479733 653__ $$amanagement. 001479733 653__ $$amarketplace. 001479733 653__ $$aorigins. 001479733 653__ $$aproduct. 001479733 653__ $$atelevision. 001479733 653__ $$aunderstand. 001479733 653__ $$aworkings. 001479733 655_0 $$aElectronic books 001479733 7001_ $$aHarrington, C. Lee, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut. 001479733 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tNew York University Press Backlist eBook-Package 2000-2013$$z9783110706444 001479733 7760_ $$cprint$$z9780814799413 001479733 852__ $$bebk 001479733 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780814739167$$zOnline Access 001479733 909CO $$ooai:library.usi.edu:1479733$$pGLOBAL_SET 001479733 912__ $$a978-3-11-070644-4 New York University Press Backlist eBook-Package 2000-2013$$c2000$$d2013 001479733 912__ $$aEBA_BACKALL 001479733 912__ $$aEBA_CL_MUAR 001479733 912__ $$aEBA_EBACKALL 001479733 912__ $$aEBA_EBKALL 001479733 912__ $$aEBA_ECL_MUAR 001479733 912__ $$aEBA_EEBKALL 001479733 912__ $$aEBA_ESSHALL 001479733 912__ $$aEBA_PPALL 001479733 912__ $$aEBA_SSHALL 001479733 912__ $$aGBV-deGruyter-alles 001479733 912__ $$aPDA11SSHE 001479733 912__ $$aPDA13ENGE 001479733 912__ $$aPDA17SSHEE 001479733 912__ $$aPDA5EBK 001479733 980__ $$aBIB 001479733 980__ $$aEBOOK 001479733 982__ $$aEbook 001479733 983__ $$aOnline