Black Television Travels : African American Media around the Globe / Timothy Havens.
2013
PN1992.8.A34 H38 2016
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Details
Title
Black Television Travels : African American Media around the Globe / Timothy Havens.
Author
Havens, Timothy, author.
ISBN
9780814759448
Published
New York, NY : : New York University Press, [2013]
Copyright
©2013
Language
English
Language Note
In English.
Description
1 online resource
Other Standard Identifiers
10.18574/nyu/9780814737200.001.0001 doi
Call Number
PN1992.8.A34 H38 2016
Dewey Decimal Classification
791.4508996073
Summary
"Black Television Travels provides a detailed and insightful view of the roots and routes of the televisual representations of blackness on the transnational media landscape. By following the circulation of black cultural products and their institutionalized discourses-including industry lore, taste cultures, and the multiple stories of black experiences that have and have not made it onto the small screen-Havens complicates discussions of racial representation and exposes possibilities for more expansive representations of blackness while recognizing the limitations of the seemingly liberatory spaces created by globalization." -Bambi Haggins, Associate Professor of Film and Media Studies at Arizona State University "A major achievement that makes important contributions to the analysis of race, identity, global media, nation, and television production cultures. Discussions of race and television are too often constricted within national boundaries, yet this fantastic book offers a strong, compelling, and utterly refreshing corrective. Read it, assign it, use it." -Jonathan Gray, author of Television Entertainment, Television Studies, and Show Sold Separately Black Television Travels explores the globalization of African American television and the way in which foreign markets, programming strategies, and viewer preferences have influenced portrayals of African Americans on the small screen. Television executives have been notoriously slow to recognize the potential popularity of black characters and themes, both at home and abroad. As American television brokers increasingly seek revenues abroad, their assumptions about saleability and audience perceptions directly influence the global circulation of these programs, as well as their content. Black Television Travels aims to reclaim the history of African American television circulation in an effort to correct and counteract this predominant industry lore.Based on interviews with television executives and programmers from around the world, as well as producers in the United States, Havens traces the shift from an era when national television networks often blocked African American television from traveling abroad to the transnational, post-network era of today. While globalization has helped to expand diversity in African American television, particularly in regard to genre, it has also resulted in restrictions, such as in the limited portrayal of African American women in favor of attracting young male demographics across racial and national boundaries. Havens underscores the importance of examining boardroom politics as part of racial discourse in the late modern era, when transnational cultural industries like television are the primary sources for dominant representations of blackness.
Access Note
Access limited to authorized users.
System Details Note
Mode of access: Internet via World Wide Web.
Digital File Characteristics
text file PDF
Source of Description
Description based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023)
Series
Critical Cultural Communication ; ; 16
Available in Other Form
print 9780814737200
Linked Resources
Online Access
Record Appears in
Online Resources > Ebooks
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All Resources
Table of Contents
Frontmatter
Contents
Acknowledgments
Preface
Introduction
1. Roots and the Perils of African American Television Drama in a Global World
2. Integrated Eighties Situation Comedies and the Struggle against Apartheid
3. The Cosby Show, Family Themes, and the Ascent of White Situation Comedies Abroad in the Late 1980s
4. The Fresh Prince of Bel-Air, Channel Fragmentation, and the Recognition of Difference
5. The Worldwide Circulation of Contemporary African American Television
6. Black Television from Elsewhere
Conclusion
Notes
References
Index
About the Author
Contents
Acknowledgments
Preface
Introduction
1. Roots and the Perils of African American Television Drama in a Global World
2. Integrated Eighties Situation Comedies and the Struggle against Apartheid
3. The Cosby Show, Family Themes, and the Ascent of White Situation Comedies Abroad in the Late 1980s
4. The Fresh Prince of Bel-Air, Channel Fragmentation, and the Recognition of Difference
5. The Worldwide Circulation of Contemporary African American Television
6. Black Television from Elsewhere
Conclusion
Notes
References
Index
About the Author