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Frontmatter
Contents
Acknowledgments
Preface
Introduction
1. Roots and the Perils of African American Television Drama in a Global World
2. Integrated Eighties Situation Comedies and the Struggle against Apartheid
3. The Cosby Show, Family Themes, and the Ascent of White Situation Comedies Abroad in the Late 1980s
4. The Fresh Prince of Bel-Air, Channel Fragmentation, and the Recognition of Difference
5. The Worldwide Circulation of Contemporary African American Television
6. Black Television from Elsewhere
Conclusion
Notes
References
Index
About the Author

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