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Table of Contents
Frontmatter
Contents
Acknowledgments
Introduction
1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary
2 "No Cultural Icon" Marisela Norte and Spoken Word- East L.A. Noir and the U.S./Mexico Border
3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro's Performance
4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, "Sending All Those Puerto Ricans Back to Mexico," and the Politics of a Sexualized Location
5 "¿Soy Punkera, Y Que?" Sexuality, Translocality, and Punk in Los Angeles and Beyond
6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music
Epilogue "Call Us Americans, 'Cause We Are All from the Américas": Latinos at Home in Canada
Notes
Bibliography
Index
About the Author
Contents
Acknowledgments
Introduction
1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary
2 "No Cultural Icon" Marisela Norte and Spoken Word- East L.A. Noir and the U.S./Mexico Border
3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro's Performance
4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, "Sending All Those Puerto Ricans Back to Mexico," and the Politics of a Sexualized Location
5 "¿Soy Punkera, Y Que?" Sexuality, Translocality, and Punk in Los Angeles and Beyond
6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music
Epilogue "Call Us Americans, 'Cause We Are All from the Américas": Latinos at Home in Canada
Notes
Bibliography
Index
About the Author