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Frontmatter
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION: AMERICA AND THE PHANTOM MODERN
I BODY
1. MACHINE DREAMS
2. JOSEPHINE BAKER'S HOTHOUSE
3. TRESPASSING THE COLORLINE: AGGRESSIVE MOBILITY AND SEXUAL TRANGRESSION IN THE CONSTRUCTION OF NEW NEGRO MODERNITY
4. BODIES, VOICES, WORDS: MODERN DRAMA AND THE PROBLEM OF THE LITERARY
II MEMORY
5. NO ONE IS BURIED IN HOOVER DAM
6. THE EDGE OF MODERNISM: GENOCIDE AND THE POETICS OF TRAUMATIC MEMORY
7. WRITING, SOCIAL SCIENCE, AND ETHNICITY IN GERTRUDE STEIN AND CERTAIN OTHERS
8. JEAN TOOMER'S CANE, MODERNIZATION, AND THE SPECTRAL FOLK
9. GRAFTS, TRANSPLANTS, TRANSLATION: THE AMERICANIZING OF YOUNGHILL KANG
III CAPITAL
10. GREAT LADY PAINTERS, INC.: ICONS OF FEMINISM, MODERNISM, AND THE NATION
11. KITCHEN MECHANICS AND PARLOR NATIONALISTS: ANDY RAZAF, BLACK BOLSHEVISM, AND HARLEM'S RENAISSANCE
12. RENO-VATING GENDER: PLACE, PRODUCTION, AND THE RENO DIVORCE FACTORY
13. POLITICS AND LABOR IN POETRY OF THE FIN DE SIÈCLE AND BEYOND: FRAGMENTS OF AN UNWRITABLE HISTORY
CONTRIBUTORS
INDEX

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