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Table of Contents
Frontmatter
Contents
Introduction: Rites of Passing
1 Telling Tales: Brandon Teena, Billy Tipton, and Transgender Biography
2 Passing Like Me: Jewish Chameleonism and the Politics of Race
3 Whiteness Invisible: Early Mexican American Writing and the Color of Literary History
4 Passing Lines Immigration and the Performance of American Identity
5 From Victorian Parlor to Physique Pictorial: The Male Nude and Homosexual Identity
6 Slumming
7 The "Self-Made Man" Male Impersonation and the New Woman
8 Mimesis in the Face of Fear: Femme Queens, Butch Queens, and Gender Play in the Houses of Greater Newark
9 "The Church's Closet" Confessionals, Victorian Catholicism, and the Crisis of Identification
10 Moses' Wilderness Tabernacle
Contributors
Contents
Introduction: Rites of Passing
1 Telling Tales: Brandon Teena, Billy Tipton, and Transgender Biography
2 Passing Like Me: Jewish Chameleonism and the Politics of Race
3 Whiteness Invisible: Early Mexican American Writing and the Color of Literary History
4 Passing Lines Immigration and the Performance of American Identity
5 From Victorian Parlor to Physique Pictorial: The Male Nude and Homosexual Identity
6 Slumming
7 The "Self-Made Man" Male Impersonation and the New Woman
8 Mimesis in the Face of Fear: Femme Queens, Butch Queens, and Gender Play in the Houses of Greater Newark
9 "The Church's Closet" Confessionals, Victorian Catholicism, and the Crisis of Identification
10 Moses' Wilderness Tabernacle
Contributors