Copyrights and Copywrongs : The Rise of Intellectual Property and How it Threatens Creativity / Siva Vaidhyanathan.
2001
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Title
Copyrights and Copywrongs : The Rise of Intellectual Property and How it Threatens Creativity / Siva Vaidhyanathan.
Author
Vaidhyanathan, Siva, author.
ISBN
9780814789087
Published
New York, NY : : New York University Press, [2001]
Copyright
©2001
Language
English
Language Note
In English.
Description
1 online resource
Other Standard Identifiers
10.18574/nyu/9780814789087.001.0001 doi
Dewey Decimal Classification
346.7304/82
Summary
Copyright reflects far more than economic interests. Embedded within conflicts over royalties and infringement are cultural values-about race, class, access, ownership, free speech, and democracy-which influence how rights are determined and enforced. Questions of legitimacy-of what constitutes "intellectual property" or "fair use," and of how to locate a precise moment of cultural creation-have become enormously complicated in recent years, as advances in technology have exponentially increased the speed of cultural reproduction and dissemination.In Copyrights and Copywrongs, Siva Vaidhyanathan tracks the history of American copyright law through the 20th century, from Mark Twain's vehement exhortations for "thick" copyright protection, to recent lawsuits regarding sampling in rap music and the "digital moment," exemplified by the rise of Napster and MP3 technology. He argues persuasively that in its current punitive, highly restrictive form, American copyright law hinders cultural production, thereby contributing to the poverty of civic culture.In addition to choking cultural expression, recent copyright law, Vaidhyanathan argues, effectively sanctions biases against cultural traditions which differ from the Anglo-European model. In African-based cultures, borrowing from and building upon earlier cultural expressions is not considered a legal trespass, but a tribute. Rap and hip hop artists who practice such "borrowing" by sampling and mixing, however, have been sued for copyright violation and forced to pay substantial monetary damages. Similarly, the oral transmission of culture, which has a centuries-old tradition within African American culture, is complicated by current copyright laws. How, for example, can ownership of music, lyrics, or stories which have been passed down through generations be determined? Upon close examination, strict legal guidelines prove insensitive to the diverse forms of cultural expression prevalent in the United States, and reveal much about the racialized cultural values which permeate our system of laws. Ultimately, copyright is a necessary policy that should balance public and private interests but the recent rise of "intellectual property" as a concept have overthrown that balance. Copyright, Vaidhyanathan asserts, is policy, not property.Bringing to light the republican principles behind original copyright laws as well as present-day imbalances and future possibilities for freer expression and artistic equity, this volume takes important strides towards unraveling the complex web of culture, law, race, and technology in today's global marketplace.
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Access limited to authorized users.
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Mode of access: Internet via World Wide Web.
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text file PDF
Source of Description
Description based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023)
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print 9780814788066
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Table of Contents
Frontmatter
Contents
Acknowledgments
Introduction
1. Copyright and American Culture: Ideas, Expressions, and Democracy
2. Mark Twain and the History of Literary Copyright
3. Celluloid Copyright and Derivative Works, or, How to Stop 12 Monkeys with One Chair
4. Hep Cats and Copy Cats: American Music Challenges the Copyright Tradition
5. The Digital Moment: The End of Copyright?
Epilogue: The Summer without Martha Graham
Notes
Index
About the Author
Contents
Acknowledgments
Introduction
1. Copyright and American Culture: Ideas, Expressions, and Democracy
2. Mark Twain and the History of Literary Copyright
3. Celluloid Copyright and Derivative Works, or, How to Stop 12 Monkeys with One Chair
4. Hep Cats and Copy Cats: American Music Challenges the Copyright Tradition
5. The Digital Moment: The End of Copyright?
Epilogue: The Summer without Martha Graham
Notes
Index
About the Author