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Frontmatter
Contents
Acknowledgments
Introduction
1 Identity, Arena, and Performance: West Indians in San Francisco Bay
2 Performance and Meaning in West Indian Immigrant Identity: Public Displays of Self-Representation
3 Promoters of Popular Culture
4 Negotiating the Black-White Dichotomy: Marrying an African American
5 Negotiating the Black-White Dichotomy: Images of African Americans
6 Constructing an Immigrant Identity: Notions of a Permanent Foreigner
Epilogue: The Construction of Identity
References
Index
About the Author

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