001480424 000__ 03864nam\a22008415i\4500 001480424 001__ 1480424 001480424 003__ DE-B1597 001480424 005__ 20231026035141.0 001480424 006__ m\\\\\o\\d\\\\\\\\ 001480424 007__ cr\un\nnnunnun 001480424 008__ 221201t20162016mau\\\\\o\\d\z\\\\\\eng\d 001480424 019__ $$a(OCoLC)984642786 001480424 020__ $$a9780674495647 001480424 0247_ $$a10.4159/9780674495647$$2doi 001480424 035__ $$a(DE-B1597)457491 001480424 035__ $$a(OCoLC)933835812 001480424 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001480424 0410_ $$aeng 001480424 044__ $$amau$$cUS-MA 001480424 072_7 $$aLIT017000$$2bisacsh 001480424 08204 $$a741.59 001480424 1001_ $$aChute, Hillary L., $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001480424 24510 $$aDisaster Drawn :$$bVisual Witness, Comics, and Documentary Form /$$cHillary L. Chute. 001480424 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2016] 001480424 264_4 $$c©2016 001480424 300__ $$a1 online resource (336 p.) :$$b35 color illustrations, 31 halftones 001480424 336__ $$atext$$btxt$$2rdacontent 001480424 337__ $$acomputer$$bc$$2rdamedia 001480424 338__ $$aonline resource$$bcr$$2rdacarrier 001480424 347__ $$atext file$$bPDF$$2rda 001480424 50500 $$tFrontmatter -- $$tContents -- $$tA Note on the Figures -- $$tIntroduction. Seeing New -- $$t1. Histories of Visual Witness -- $$t2. Time, Space, and Picture Writing in Modern Comics -- $$t3. I Saw It and the Work of Atomic Bomb Manga -- $$t4. Maus's Archival Images and the Postwar Comics Field -- $$t5. History and the Visible in Joe Sacco -- $$tCoda. New Locations, New Forms -- $$tNotes -- $$tAcknowledgments -- $$tIndex 001480424 506__ $$aAccess limited to authorized users. 001480424 520__ $$aIn hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. 001480424 538__ $$aMode of access: Internet via World Wide Web. 001480424 546__ $$aIn English. 001480424 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 001480424 650_0 $$aComic books, strips, etc$$xHistory and criticism. 001480424 650_0 $$aGraphic novels$$xHistory and criticism. 001480424 650_0 $$aNarration (Rhetoric). 001480424 650_0 $$aNonfiction comics$$xHistory and criticism. 001480424 650_0 $$aPsychic trauma in literature. 001480424 650_0 $$aStorytelling in literature. 001480424 650_7 $$aLITERARY CRITICISM / Comics & Graphic Novels.$$2bisacsh 001480424 655_0 $$aElectronic books 001480424 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press Complete eBook-Package 2016$$z9783110638585 001480424 852__ $$bebk 001480424 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674495647$$zOnline Access 001480424 909CO $$ooai:library.usi.edu:1480424$$pGLOBAL_SET 001480424 912__ $$a978-3-11-063858-5 Harvard University Press Complete eBook-Package 2016$$b2016 001480424 912__ $$aEBA_BACKALL 001480424 912__ $$aEBA_CL_LT 001480424 912__ $$aEBA_EBACKALL 001480424 912__ $$aEBA_EBKALL 001480424 912__ $$aEBA_ECL_LT 001480424 912__ $$aEBA_EEBKALL 001480424 912__ $$aEBA_ESSHALL 001480424 912__ $$aEBA_PPALL 001480424 912__ $$aEBA_SSHALL 001480424 912__ $$aGBV-deGruyter-alles 001480424 912__ $$aPDA11SSHE 001480424 912__ $$aPDA13ENGE 001480424 912__ $$aPDA17SSHEE 001480424 912__ $$aPDA5EBK 001480424 980__ $$aBIB 001480424 980__ $$aEBOOK 001480424 982__ $$aEbook 001480424 983__ $$aOnline