001480425 000__ 03633nam\a22007935i\4500 001480425 001__ 1480425 001480425 003__ DE-B1597 001480425 005__ 20231026035141.0 001480425 006__ m\\\\\o\\d\\\\\\\\ 001480425 007__ cr\un\nnnunnun 001480425 008__ 221201t20162016mau\\\\\o\\d\z\\\\\\eng\d 001480425 019__ $$a(OCoLC)984650787 001480425 020__ $$a9780674495838 001480425 0247_ $$a10.4159/9780674495838$$2doi 001480425 035__ $$a(DE-B1597)457493 001480425 035__ $$a(OCoLC)933835881 001480425 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001480425 0410_ $$aeng 001480425 044__ $$amau$$cUS-MA 001480425 050_4 $$aPR6003.E282$$b.D453 2016 001480425 072_7 $$aLIT004130$$2bisacsh 001480425 08204 $$a842/.914 001480425 1001_ $$ade la Durantaye, Leland, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001480425 24510 $$aBeckett's Art of Mismaking /$$cLeland de la Durantaye. 001480425 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2016] 001480425 264_4 $$c©2016 001480425 300__ $$a1 online resource (188 p.) 001480425 336__ $$atext$$btxt$$2rdacontent 001480425 337__ $$acomputer$$bc$$2rdamedia 001480425 338__ $$aonline resource$$bcr$$2rdacarrier 001480425 347__ $$atext file$$bPDF$$2rda 001480425 50500 $$tFrontmatter -- $$tContents -- $$tNote on Sources and Abbreviations -- $$tIntroduction -- $$t1. First Forms to Accommodate the Mess -- $$t2. The Will to Mismake, or Fish and Chips -- $$t3. Nature Painting -- $$t4. The Alibi of a Foreign Language -- $$t5. To Hell with All This Fucking Scenery -- $$t6. No Symbols Where None Intended -- $$t7. The Psychopathology of Character Creation, or The Series -- $$tConclusion -- $$tNotes -- $$tWorks Cited -- $$tAcknowledgments -- $$tIndex 001480425 506__ $$aAccess limited to authorized users. 001480425 520__ $$aLeland de la Durantaye helps us understand Beckett's strangeness and notorious difficulty by arguing that Beckett's lifelong campaign was to mismake on purpose-not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future. 001480425 538__ $$aMode of access: Internet via World Wide Web. 001480425 546__ $$aIn English. 001480425 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 001480425 650_0 $$aErrors and blunders, Literary. 001480425 650_7 $$aLITERARY CRITICISM / European / General.$$2bisacsh 001480425 655_0 $$aElectronic books 001480425 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press Complete eBook-Package 2016$$z9783110638585 001480425 852__ $$bebk 001480425 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674495838$$zOnline Access 001480425 909CO $$ooai:library.usi.edu:1480425$$pGLOBAL_SET 001480425 912__ $$a978-3-11-063858-5 Harvard University Press Complete eBook-Package 2016$$b2016 001480425 912__ $$aEBA_BACKALL 001480425 912__ $$aEBA_CL_LT 001480425 912__ $$aEBA_EBACKALL 001480425 912__ $$aEBA_EBKALL 001480425 912__ $$aEBA_ECL_LT 001480425 912__ $$aEBA_EEBKALL 001480425 912__ $$aEBA_ESSHALL 001480425 912__ $$aEBA_PPALL 001480425 912__ $$aEBA_SSHALL 001480425 912__ $$aGBV-deGruyter-alles 001480425 912__ $$aPDA11SSHE 001480425 912__ $$aPDA13ENGE 001480425 912__ $$aPDA17SSHEE 001480425 912__ $$aPDA5EBK 001480425 980__ $$aBIB 001480425 980__ $$aEBOOK 001480425 982__ $$aEbook 001480425 983__ $$aOnline