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Frontmatter
Contents
Introduction: The Field of Holocaust Studies and the Emergence of Global Holocaust Culture
Part I. The Stakes of Narrative
1. Historical Truth, Estrangement, and Disbelief
2. On "Historical Modernism": A Response to Hayden White
3. Sense and Sensibility: The Complicated Holocaust Realism of Christopher Browning
4. A Reply to Wulf Kansteiner
5. Scales of Postmemory: Six of Six Million
6. Interview with Daniel Mendelsohn, Author of The Lost: A Search for Six of Six Million
7. The Death of the Witness; or, The Persistence of the Differend
Part II. Remediations of The Archive
8. The Ethics of the Algorithm: Close and Distant Listening to the Shoah Foundation Visual History Archive
9. On the Ethics of Technology and Testimony
10. A "Spatial Turn" in Holocaust Studies?
11. Interview with Anne Knowles, Tim Cole, Alberto Giordano, and Paul B. Jaskot, Contributing
12. Freeze- Framing: Temporality and the Archive in Forgács, Hersonski, and Friedländer
13. Witnessing the Archive
14. Deconstructivism and the Holocaust: Peter Eisenman's Memorial to the Murdered Jews of Eu rope
15. Berlin Memorial Redux
Part III. The Politics of Exceptionality
16. The Holocaust as Genocide: Experiential Uniqueness and Integrated History
17. Anxieties in Holocaust and Genocide Studies
18. The Witness as "World" Traveler: Multidirectional Memory and Holocaust Internationalism before Human Rights
19. Fiction and Solicitude: Ethics and the Conditions for Survival
20. Catastrophes: Afterlives of the Exceptionality Paradigm in Holocaust Studies
Epilogue: Interview with Saul Friedländer
Notes
Acknowledgments
Illustration Credits
Contributors
Index

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