001480520 000__ 04637nam\a22006735i\4500 001480520 001__ 1480520 001480520 003__ DE-B1597 001480520 005__ 20231026034751.0 001480520 006__ m\\\\\o\\d\\\\\\\\ 001480520 007__ cr\un\nnnunnun 001480520 008__ 210824t20172016mau\\\\\o\\d\z\\\\\\eng\d 001480520 020__ $$a9780674973541 001480520 0247_ $$a10.4159/9780674973541$$2doi 001480520 035__ $$a(DE-B1597)479773 001480520 035__ $$a(OCoLC)984647575 001480520 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001480520 0410_ $$aeng 001480520 044__ $$amau$$cUS-MA 001480520 050_4 $$aML3534$$b.H336 2016 001480520 072_7 $$aMUS020000$$2bisacsh 001480520 08204 $$a781.6609/046$$223 001480520 1001_ $$aHamilton, Jack, $$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001480520 24510 $$aJust around Midnight :$$bRock and Roll and the Racial Imagination /$$cJack Hamilton. 001480520 264_1 $$aCambridge, MA : $$bHarvard University Press, $$c[2017] 001480520 264_4 $$c©2016 001480520 300__ $$a1 online resource (320 p.) :$$b3 halftones, 5 music illustrations 001480520 336__ $$atext$$btxt$$2rdacontent 001480520 337__ $$acomputer$$bc$$2rdamedia 001480520 338__ $$aonline resource$$bcr$$2rdacarrier 001480520 347__ $$atext file$$bPDF$$2rda 001480520 50500 $$tFrontmatter -- $$tContents -- $$tIntroduction: Dreams and Nightmares -- $$t1. Darkness at the Break of Noon -- $$t2. The White Atlantic -- $$t3. "Friends Across the Sea" -- $$t4. "Being Good isn't Always Easy" -- $$t5. House Burning Down -- $$t6. Just Around Midnight -- $$tNotes -- $$tAcknowledgments -- $$tCredits -- $$tIndex 001480520 506__ $$aAccess limited to authorized users. 001480520 520__ $$aBy the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive. 001480520 538__ $$aMode of access: Internet via World Wide Web. 001480520 546__ $$aIn English. 001480520 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) 001480520 650_0 $$aAfrican American rock musicians. 001480520 650_0 $$aMusic and race$$zGreat Britain$$xHistory$$y20th century. 001480520 650_0 $$aMusic and race$$zUnited States$$xHistory$$y20th century. 001480520 650_0 $$aRock music$$xSocial aspects. 001480520 650_0 $$aRock music$$y1961-1970$$xHistory and criticism. 001480520 650_7 $$aMUSIC / History & Criticism.$$2bisacsh 001480520 655_0 $$aElectronic books 001480520 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tHarvard University Press Complete eBook-Package 2016$$z9783110638585 001480520 852__ $$bebk 001480520 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780674973541$$zOnline Access 001480520 909CO $$ooai:library.usi.edu:1480520$$pGLOBAL_SET 001480520 912__ $$a978-3-11-063858-5 Harvard University Press Complete eBook-Package 2016$$b2016 001480520 912__ $$aGBV-deGruyter-alles 001480520 980__ $$aBIB 001480520 980__ $$aEBOOK 001480520 982__ $$aEbook 001480520 983__ $$aOnline