001480637 000__ 04325nam\a22010455i\4500 001480637 001__ 1480637 001480637 003__ DE-B1597 001480637 005__ 20231027003204.0 001480637 006__ m\\\\\o\\d\\\\\\\\ 001480637 007__ cr\un\nnnunnun 001480637 008__ 231025t20132013nyu\\\\\o\\d\z\\\\\\eng\d 001480637 020__ $$a9780823252183 001480637 0247_ $$a10.1515/9780823252183$$2doi 001480637 035__ $$a(DE-B1597)555219 001480637 035__ $$a(OCoLC)847005647 001480637 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001480637 0410_ $$aeng 001480637 044__ $$anyu$$cUS-NY 001480637 050_4 $$aPQ4075$$b.G375 2013 001480637 072_7 $$aLIT019000$$2bisacsh 001480637 08204 $$a850/.9/002$$223 001480637 1001_ $$aGaylard, Susan,$$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001480637 24510 $$aHollow Men :$$bWriting, Objects, and Public Image in Renaissance Italy /$$cSusan Gaylard. 001480637 264_1 $$aNew York, NY :$$bFordham University Press,$$c[2013] 001480637 264_4 $$c©2013 001480637 300__ $$a1 online resource (372 p.) 001480637 336__ $$atext$$btxt$$2rdacontent 001480637 337__ $$acomputer$$bc$$2rdamedia 001480637 338__ $$aonline resource$$bcr$$2rdacarrier 001480637 347__ $$atext file$$bPDF$$2rda 001480637 50500 $$tFrontmatter --$$tContents --$$tAcknowledgments --$$tI. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY --$$tIntroduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina --$$t1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity --$$t2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina --$$tII. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT --$$t3. Banishing the Hollow Man: Print, Clothing, and Aretino's Emblems of Truth --$$t4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books --$$t5. Silenus Strategies: The Failure of Personal Emblems --$$tAfterword --$$tNotes --$$tWorks Cited --$$tIndex 001480637 506__ $$aAccess limited to authorized users. 001480637 520__ $$aThis book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid-fifteenth century, and these changes were hastened by the rapid development of the printed image. 001480637 538__ $$aMode of access: Internet via World Wide Web. 001480637 546__ $$aIn English. 001480637 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 001480637 650_0 $$aArt, Renaissance$$zItaly$$xHistory. 001480637 650_0 $$aItalian language$$yEarly modern, 1500-1700. 001480637 650_0 $$aItalian literature$$y15th century$$xHistory and criticism. 001480637 650_0 $$aItalian literature$$yTo 1400$$xHistory and criticism. 001480637 650_0 $$aMasculinity in art. 001480637 650_0 $$aMasculinity in literature. 001480637 650_0 $$aRenaissance$$zItaly. 001480637 650_4 $$aArt & Visual Culture. 001480637 650_4 $$aLiterary Studies. 001480637 650_4 $$aRenaissance Studies. 001480637 650_7 $$aLITERARY CRITICISM / Renaissance.$$2bisacsh 001480637 653__ $$aAretino. 001480637 653__ $$aBembo. 001480637 653__ $$aCastiglione. 001480637 653__ $$aGhirlandaio. 001480637 653__ $$aPontano. 001480637 653__ $$aTasso. 001480637 653__ $$aexemplar. 001480637 653__ $$aimpresa. 001480637 653__ $$amonument. 001480637 653__ $$aportrait. 001480637 655_0 $$aElectronic books 001480637 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press Complete eBook-Package Pre-2014$$z9783111189604 001480637 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press eBook-Package Backlist 2000-2013$$z9783110707298 001480637 7760_ $$cprint$$z9780823251742 001480637 852__ $$bebk 001480637 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823252183$$zOnline Access 001480637 909CO $$ooai:library.usi.edu:1480637$$pGLOBAL_SET 001480637 912__ $$a978-3-11-070729-8 Fordham University Press eBook-Package Backlist 2000-2013$$c2000$$d2013 001480637 912__ $$a978-3-11-118960-4 Fordham University Press Complete eBook-Package Pre-2014$$b2014 001480637 912__ $$aEBA_BACKALL 001480637 912__ $$aEBA_CL_LT 001480637 912__ $$aEBA_EBACKALL 001480637 912__ $$aEBA_EBKALL 001480637 912__ $$aEBA_ECL_LT 001480637 912__ $$aEBA_EEBKALL 001480637 912__ $$aEBA_ESSHALL 001480637 912__ $$aEBA_PPALL 001480637 912__ $$aEBA_SSHALL 001480637 912__ $$aGBV-deGruyter-alles 001480637 912__ $$aPDA11SSHE 001480637 912__ $$aPDA13ENGE 001480637 912__ $$aPDA17SSHEE 001480637 912__ $$aPDA5EBK 001480637 980__ $$aBIB 001480637 980__ $$aEBOOK 001480637 982__ $$aEbook 001480637 983__ $$aOnline