001480641 000__ 04849nam\a22010095i\4500 001480641 001__ 1480641 001480641 003__ DE-B1597 001480641 005__ 20231026080349.0 001480641 006__ m\\\\\o\\d\\\\\\\\ 001480641 007__ cr\un\nnnunnun 001480641 008__ 231026t20132013nyu\\\\\o\\d\z\\\\\\eng\d 001480641 020__ $$a9780823252329 001480641 0247_ $$a10.1515/9780823252329$$2doi 001480641 035__ $$a(DE-B1597)554941 001480641 035__ $$a(OCoLC)844940046 001480641 040__ $$aDE-B1597$$beng$$cDE-B1597$$erda 001480641 0410_ $$aeng 001480641 044__ $$anyu$$cUS-NY 001480641 072_7 $$aART009000$$2bisacsh 001480641 08204 $$a741.01/17$$223 001480641 1001_ $$aNancy, Jean-Luc,$$eauthor.$$4aut$$4http://id.loc.gov/vocabulary/relators/aut 001480641 24514 $$aThe Pleasure in Drawing /$$cJean-Luc Nancy. 001480641 264_1 $$aNew York, NY :$$bFordham University Press,$$c[2013] 001480641 264_4 $$c©2013 001480641 300__ $$a1 online resource (128 p.) 001480641 336__ $$atext$$btxt$$2rdacontent 001480641 337__ $$acomputer$$bc$$2rdamedia 001480641 338__ $$aonline resource$$bcr$$2rdacarrier 001480641 347__ $$atext file$$bPDF$$2rda 001480641 50500 $$tFrontmatter --$$tContents --$$tTranslator's Note --$$tPreface to the English-Language Edition --$$tForm --$$tSketchbook 1 --$$tIdea --$$tSketchbook 2 --$$tFormative Force --$$tSketchbook 3 --$$tThe Pleasure of Drawing --$$tSketchbook 4 --$$tForma Formans --$$tSketchbook 5 --$$tFrom Self Toward Self --$$tSketchbook 6 --$$tConsenting to Self --$$tSketchbook 7 --$$tGestural Pleasure --$$tSketchbook 8 --$$tThe Form-Pleasure --$$tSketchbook 9 --$$tThe Drawing/Design of the Arts --$$tSketchbook 10 --$$tMimesis --$$tSketchbook 11 --$$tPleasure of Relation --$$tSketchbook 12 --$$tDeath, Sex, Love of the Invisible --$$tSketchbook 13 --$$tAmbiguous Pleasure --$$tSketchbook 14 --$$tPurposiveness Without Purpose --$$tSketchbook 15 --$$tThe Line's Desire --$$tSketchbook 16 --$$tNotes 001480641 506__ $$aAccess limited to authorized users. 001480641 520__ $$aOriginally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form-of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions.Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic,filmic, choreographic, poetic, melodic, and rhythmic senses.If drawing is not reducible to any form of closure, it never resolves a tension specific to itself. Rather, drawing allows the pleasure in and of drawing, the gesture of a desire that remains in excess of all knowledge, to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of "sketchbooks" on drawing, composed of a broad range of "ations on art from different writers, artists, or philosophers. 001480641 538__ $$aMode of access: Internet via World Wide Web. 001480641 546__ $$aIn English. 001480641 5880_ $$aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 001480641 650_0 $$aDrawing$$xPhilosophy. 001480641 650_4 $$aArt & Visual Culture. 001480641 650_4 $$aPhilosophy & Theory. 001480641 650_7 $$aART / Criticism.$$2bisacsh 001480641 653__ $$aFreudian aesthetics. 001480641 653__ $$aJean-Luc Nancy. 001480641 653__ $$aaesthetics. 001480641 653__ $$adesign. 001480641 653__ $$adesire. 001480641 653__ $$adrawing. 001480641 653__ $$aform. 001480641 653__ $$apleasure. 001480641 653__ $$apsychoanalysis. 001480641 653__ $$asense. 001480641 655_0 $$aElectronic books 001480641 7001_ $$aArmstrong, Philip,$$econtributor.$$4ctb$$4https://id.loc.gov/vocabulary/relators/ctb 001480641 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press Complete eBook-Package Pre-2014$$z9783111189604 001480641 77308 $$iTitle is part of eBook package:$$dDe Gruyter$$tFordham University Press eBook-Package Backlist 2000-2013$$z9783110707298 001480641 7760_ $$cprint$$z9780823250936 001480641 852__ $$bebk 001480641 85640 $$3De Gruyter$$uhttps://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823252329$$zOnline Access 001480641 909CO $$ooai:library.usi.edu:708402$$pGLOBAL_SET 001480641 912__ $$a978-3-11-070729-8 Fordham University Press eBook-Package Backlist 2000-2013$$c2000$$d2013 001480641 912__ $$a978-3-11-118960-4 Fordham University Press Complete eBook-Package Pre-2014$$b2014 001480641 912__ $$aEBA_BACKALL 001480641 912__ $$aEBA_CL_AD 001480641 912__ $$aEBA_EBACKALL 001480641 912__ $$aEBA_EBKALL 001480641 912__ $$aEBA_ECL_AD 001480641 912__ $$aEBA_EEBKALL 001480641 912__ $$aEBA_ESSHALL 001480641 912__ $$aEBA_ESTMALL 001480641 912__ $$aEBA_PPALL 001480641 912__ $$aEBA_SSHALL 001480641 912__ $$aEBA_STMALL 001480641 912__ $$aGBV-deGruyter-alles 001480641 912__ $$aPDA11SSHE 001480641 912__ $$aPDA12STME 001480641 912__ $$aPDA13ENGE 001480641 912__ $$aPDA17SSHEE 001480641 912__ $$aPDA18STMEE 001480641 912__ $$aPDA5EBK 001480641 980__ $$aBIB 001480641 980__ $$aEBOOK 001480641 982__ $$aEbook 001480641 983__ $$aOnline