TY  - GEN
N2  - Interrogating how Alexandria became enshrined as the exemplary cosmopolitan space in the Middle East, this book mounts a radical critique of Eurocentric conceptions of cosmopolitanism. The dominant account of Alexandrian cosmopolitanism elevates things European in the city's culture and simultaneously places things Egyptian under the sign of decline. The book goes beyond this civilization/barbarism binary to trace other modes of intercultural solidarity.Halim presents a comparative study of literary representations, addressing poetry, fiction, guidebooks, and operettas, among other genres. She reappraises three writers-C. P. Cavafy, E. M. Forster, and Lawrence Durrell-who she maintains have been cast as the canon of Alexandria. Attending to issues of genre, gender, ethnicity, and class, she refutes the view that these writers' representations are largely congruent and uncovers a variety of positions ranging from Orientalist to anticolonial. The book then turns to Bernard de Zogheb, a virtually unpublished writer, and elicits his camp parodies of elite Levantine mores in operettas, one of which centers on Cavafy. Drawing on Arabic critical and historical texts, as well as contemporary writers' and filmmakers' engagement with the canonical triumvirate, Halim orchestrates an Egyptian dialogue with theEuropean representations.
DO  - 10.1515/9780823252282
DO  - doi
AB  - Interrogating how Alexandria became enshrined as the exemplary cosmopolitan space in the Middle East, this book mounts a radical critique of Eurocentric conceptions of cosmopolitanism. The dominant account of Alexandrian cosmopolitanism elevates things European in the city's culture and simultaneously places things Egyptian under the sign of decline. The book goes beyond this civilization/barbarism binary to trace other modes of intercultural solidarity.Halim presents a comparative study of literary representations, addressing poetry, fiction, guidebooks, and operettas, among other genres. She reappraises three writers-C. P. Cavafy, E. M. Forster, and Lawrence Durrell-who she maintains have been cast as the canon of Alexandria. Attending to issues of genre, gender, ethnicity, and class, she refutes the view that these writers' representations are largely congruent and uncovers a variety of positions ranging from Orientalist to anticolonial. The book then turns to Bernard de Zogheb, a virtually unpublished writer, and elicits his camp parodies of elite Levantine mores in operettas, one of which centers on Cavafy. Drawing on Arabic critical and historical texts, as well as contemporary writers' and filmmakers' engagement with the canonical triumvirate, Halim orchestrates an Egyptian dialogue with theEuropean representations.
T1  - Alexandrian Cosmopolitanism :An Archive /
AU  - Halim, Hala,
AU  - Cavafy, C. P.,
AU  - Durrell, Lawrence,
AU  - Forster, E. M.,
AU  - Zogheb, Bernard de,
JF  - Fordham University Press Complete eBook-Package Pre-2014
JF  - Fordham University Press eBook-Package Backlist 2000-2013
CN  - PN56.3.A42
LA  - eng
LA  - In English.
ID  - 1480648
KW  - Cosmopolitanism in literature.
KW  - European literature
KW  - European literature
KW  - Literary Studies.
KW  - Middle Eastern Studies.
KW  - Urban Studies.
KW  - SOCIAL SCIENCE / Archaeology.
KW  - Bernard de Zogheb.
KW  - C.P. Cavafy.
KW  - Cosmopolitanism.
KW  - E.M. Forster.
KW  - Imperialism.
KW  - Lawrence Durrell.
KW  - Mediterranean.
KW  - alexandria.
KW  - egypt.
SN  - 9780823252282
TI  - Alexandrian Cosmopolitanism :An Archive /
LK  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823252282
UR  - https://univsouthin.idm.oclc.org/login?url=https://www.degruyter.com/isbn/9780823252282
ER  -